The World’s Largest Collection Of Contemporary South African Art Belongs To — Nando’s (Yes, The Grilled Chicken Chain)

With more than 22,000 works hanging in the chain’s roughly 1,300 restaurants, Nando’s is arguably the best place in the world to check out work by contemporary South African artists. And the chain’s Creative Block program, run with the Spiers Art Trust, may be the largest corporate art initiative anywhere. – The Art Newspaper

Minneapolis Institute Of Art Selects Its New Director

“The Minneapolis Institute of Art named an art expert with a entrepreneurial past Tuesday as its next director and president: Katherine Luber, of the San Antonio Museum of Art. … Luber, who has led the San Antonio institution for eight years, possesses not only a Ph.D. in art history but an M.B.A. and experience launching an organic spice company.” – The Star Tribune (Minneapolis)

An Architect Who Rebuilt A City After An Earthquake With “Half” Houses

Having been given a small budget to construct homes for low-income families, many of whom said they would like to expand their dwellings in the future, Alejandro Aravena hit upon the idea of building half of a larger, nicer home, and leaving the other half for the residents to finish themselves, either with their own hands or with help from local “micro-contractors.” – CityLab

Why Has Performance Become Such A Big Part Of Visual Art?

Perhaps it’s precisely the soft science of working with and viewing other people that makes performance a refreshing counterpoint to an art industry that is increasingly commercialized and corporatized. Regardless of athleticism or ability, in dance traditionally made for the stage there’s a satisfaction – and, perhaps, seduction – in viewing the technique-driven, trained body of a performer. – Frieze

Kara Walker Takes On The British Empire

Sometimes, if you’re a US person and have British friends, the Brits will enjoy talking about how long the US had slavery. An important discussion, no doubt – but guess what? The British aren’t exactly innocent either in the foundation of chattel slavery in the US or in a lot of other horrors of the British Empire. And artist Kara Walker isn’t messing around with her latest work in the Tate Modern’s Turbine Hall. “‘It’s a reversal of the triangle trade, going from America via Africa back to England,’ she said, laughing. ‘Or thinking of it as a different shape — a circle, a cycle.'” – The New York Times

Are Zoos, With Their Barbaric Architecture, Finally Over?

To be fair, the architecture was a lot more barbaric at the beginning of the zoo. Now design is more focused on attempts to break down the human/animal barrier … invisibly. But is that enough? “The architecture of zoos reflected man’s changing relationship with animals: going from a sense of exoticism and wonder, to better hygiene and animal welfare, to the idea that the architecture should disappear altogether.” – The Guardian (UK)