“The successful candidate will be tasked with overseeing the museum’s vast collection of indigenous American artifacts, including the Charles and Valerie Diker Collection of more than 116 objects hailing from 50 different Native American cultures from the 2nd century to the early 20th century,” and will oversee expanded programming on indigenous work. – Artnet
Category: visual
South American Wildfires Destroy Prehistoric Rock Art
The flames aren’t raging only in Brazil: there have been major wildfires in lowland Bolivia for weeks, and they have damaged and destroyed ancient paintings that date back as for as 1500 BC in and around the town of Roboré in the Santa Cruz region. – Artnet
French Architects Attack Plan For A Makeover Of Paris Gare Du Nord Train Terminal
The award-winning French architect Jean Nouvel as well as historians and town planners wrote an open letter to Le Monde saying the €600m (£540m) renovation plan to create a glass structure – with tens of thousands of square metres of shops, walkways, split-levels and 105 escalators – was a “serious urban error” that would deform the historic building, fail Parisians and befuddle travellers. – The Guardian
Michael Rakowitz, Whose Work Is About Iraq, Refugees, And ISIS, Wins $100K Nasher Prize For Sculpture
His grandparents were Iraqi Jews who fled Baghdad in 1941, and much of his work is inspired by their experiences. He’s most famous for his replica, placed on the fourth plinth in Trafalgar Square in 2018, of an Assyrian lamassu (a winged bull with a human head) that was destroyed by ISIS. – The Dallas Morning News
Have African Artworks Been Safer In Europe Than They Would Have Been In Africa? Maybe Not, Suggest Storage Conditions In German Museum
“Many of the artifacts that will be on display in the Humboldt Forum, a huge new museum under construction in a rebuilt Berlin palace, had for years been stored in less-than-ideal conditions. [A] report featured searing depictions of flooded storage rooms and depots choked with toxic dust.” – The New York Times
Tutankhamun Show In Paris Breaks All Attendance Records
The exhibition at La Villette in northeastern Paris features the largest collection of artifacts connected with the young pharaoh ever to leave Cairo. More than 1.3 million people have attended the show since its March 23 opening, and it has been extended by a week, to September 22, to meet demand. – Yahoo! (AFP)
An Artist Is Turning A New Orleans Flood Wall Into A Mile-Long Story Of The City
With the permission of the Flood Protection Authority and funding from the Walmart Corp., the artist embarked on the first 400 feet of a historical mural that will depict major moments in New Orleans’ three centuries. If all goes as planned, the painting could eventually stretch a full mile. – NOLA.com
Heir Of Germany’s Last Emperor Is Suing To Get Back Great-Great-Grandpapa’s Art, Palaces, And Other Property
Georg Friedrich Ferdinand, Prince of Prussia — the current head of the Hohenzollern family, which ruled in Berlin for two centuries, until Kaiser Wilhelm II abdicated at the end of World War I — “says that his family has, since the collapse of the Soviet bloc, insisted on getting back what it had been granted in the immediate post-WWI agreement. At stake are the right to reside at Cecilienhof [palace in Berlin] and many other properties, as well as the restitution of thousands of paintings, sculptures, furniture, books and coins.” (The German public is not amused.) – Yahoo! (AFP)
National Museum Of Brazil, Destroyed By Fire Last Year, Sets Date For Partial Reopening (And There’s Good News About The Collection)
“Our intention is to inaugurate a part of the reconstructed palace in 2022 with expositions that let us celebrate the bicentennial of Brazil’s independence,” said an official. And while early reports last year said that 90% of the museum’s collection had been lost in the fire, that figure turns out to be only 46%. – Artnet
Four Years Ago, Italy Tried To Reform The Way Its Major Museums Are Run. Did It Work? Yes And No …
“In August 2015, the then Italian culture minister, Dario Franceschini, announced the first 20 ‘super directors’ of national museums, granting those institutions fiscal autonomy for the first time and, in theory at least, far greater managerial independence.” With many of those directors’ initial contracts running out, and with the government possibly undoing the reforms, did they make a difference? Politically, probably not; practically, yes, in some ways. – Apollo