“Context Collapse” Theatens The Art World

“Content collapse” and “narrative deficiency” are phenomena that characterize social media, where users have multiple distinct communities—friends, family members, colleagues—collated into a single audience. The differences between traditional face-to-face relationship-based interaction and the potentially infinite audience of social media—or, we might logically extrapolate, businesses that scale in a parallel manner, such as big art fairs—is an issue that these industries are beginning to face. – artnet

Share The Wealth: A New Model For Art Fairs?

For the first four editions of Future Fair, all 36 of the “Founding Galleries” who participate in the first version will split 35 percent of the profit. That might be nothing the first time around, Mijares Fick admits, explaining that, as is often the case with new businesses, the first year’s goal is just to break even. After that, she and Rebeca Laliberte expect galleries to get a return of “three to four figures.”  – artnet

In The Public Glare, Museums Think About Who Gets To Give Them Money

“In the case of working with particular individuals, it’s clear there is a line. We would not accept donations from high-level visible criminals, or organisations that are egregious and violate our own values or mission,” he says. “At the same time, we are fundamentally supported by and we operate on the basis of philanthropy. That’s the American model.” – The Art Newspaper

The Comic Books About Great Artists (A Good Idea?)

“There’s something inherently odd about using one artistic tradition to depict the life (to say nothing of reproducing the work) of an artist from a different tradition. And yet, not only are a growing number of cartoonists creating books about famous artists, but their approaches are dizzyingly varied. When is a comic book a fitting tribute to an icon?” – NPR