Category: visual

In Brisbane, the Trace show is taking art to bakeries, luggage repair shops, and mechanic shops. The point? To “democratize” the art. – The Guardian (UK)

“What mobile AR adds is the ability to changefocus by actively moving around a simulated object in real space. The technology wants you to do that. So it may just not be the ideal way to experience anything that requires any degree of sustained focus, like a poem or a performance.” – Artnet

“Artist studios get filled up pretty quickly,” he said. “And people are getting priced out.” – Artsy

The person who gave that quote actually meant it. Tim Jonze talks to three professional figure models about the worst and best parts of their jobs. – The Guardian

“Why Leonardo abandoned this first composition still remains a mystery. Handprints resulting from patting down the priming on the panel to create an even layer of more or less uniform thickness can also be seen, probably the work of an assistant – but perhaps even by Leonardo himself.” – The Guardian

“It took seeing the museum’s powerful survey of Bill Viola’s rich, deep and deeply moving video work to fully understand what is so hollow and dispiriting about the main galleries of the collection, which hold an invaluable collection of Impressionist and post-Impressionist art assembled in the first half of the previous century.” – Washington Post

Here’s a look at the some of the design features — often touted as amenities — that keep people from lingering, stretching out, or even sitting down in various public (or should that be “public”) spaces in New York City. – Gothamist

Among the items imported from the People’s Republic that will be subject to import duties as of Sept. 1 are “paintings, drawings, engraving, prints and lithographs, sculptures and statuary of any material and antiquities more than 100 years old, as well as stamps and collectors’ pieces of archaeological interest.” And that will include Chinese items purchased from third countries. – The Art Newspaper

Reflecting on the contretemps over the Life of Washington murals at a San Francisco high school as well as the decision by one small Northern California museum to sell much of its art and another to end an exhibition program, Charles Desmarais considers “what I think of as a kind of cultural duty of care — with the avoidance of negligence or harm to works of art maintained by an organization for the public good.” – San Francisco Chronicle