The opinion of Hirshhorn officials about whether the sculpture garden is a work of art is central to their stewardship and decision-making about the sculpture garden’s proposed redesign. – Cultural Landscape Foundation
Category: visual
48 Artists Reimagine The “I Voted” Stickers
In addition to the New York Magazine covers, 500,000 stickers will be distributed for free at retail locations including Crate and Barrel and CB2, who, along with Warby Parker and EHE Health, are supporting the project’s printing costs. The sticker sheets will also be distributed by book stores and museums across the country, and at nonprofit organizations including the Florida Rights Restoration Coalition, as well as official polling sites such as the Hammer Museum in Los Angeles and the Brooklyn Museum in New York. – New York Magazine
Landscape Architects Unveil Plan To Save National Mall’s Tidal Basin
The Tidal Basin connects centuries of American history and includes memorials to Thomas Jefferson, Franklin Delano Roosevelt and Martin Luther King Jr. Some 1.5 million people walk along the basin’s rim during the annual Cherry Blossom Festival each spring. But with increased car and foot traffic, the ground underneath is dipping. As sea levels rise, the walkways flood daily. – NPR
Piet Mondrian Heirs Sue German Museum In U.S. Court For $200 Million Worth Of Paintings
“The suit has been filed [in federal district court in D.C.] against the Kunstmuseen Krefeld, which is located in a western German city near Dusseldorf, by the three U.S.-based children of American abstract artist Harry Holtzman,” who was the sole inheritor of Mondrian’s estate. “The heirs are attempting to recover four paintings by Mondrian that are currently held by the museum and damages for an additional four Mondrian works which the museum no longer has.” – ARTnews
Missing Jacob Lawrence Painting Found After Neighbor Visits Met Museum
“Last week a friend of mine went to the show and said, ‘There’s a blank spot on the wall and I believe that’s where your painting belongs,’ ” she continued. “I felt I owed it both to the artist and the Met to allow them to show the painting.” – The New York Times
Another Of Yemen’s Historic Mud-Brick Palaces Is ‘At Risk Of Collapsing’
“The seven-story Seiyun Palace in Hadramawt province, currently a museum, fell into disrepair after the country descended into civil war in 2015. That left it vulnerable to the heavy rains and flash floods that hit Yemen this summer, killing dozens of people” and ravaging the medieval mud-brick buildings of Sanaa, Yemen’s capital. “An engineer said the [Seiyun Palace] was now ‘dangerous’ and appealed for help.” – BBC
New Director Of Montreal Museum Of Fine Arts Throws Some Shade At His Predecessor (And At France)
Stéphane Aquin, a native Montrealer who is currently chief curator at the Hirshhorn in D.C., takes over his hometown’s flagship museum next month after the ouster of Nathalie Bondil, a prominent Frenchwoman who had raised the MMFA’s profile and reputation overseas. “One thing I’m keen [on] is to establish our relevance in North America,” said Aquin. “We are not a suburb of Paris.” – The Art Newspaper
Weird Oily Substance Smeared On Artefacts In Berlin Museums; Weird Conspiracy Theories Reportedly Involved
“Objects including Egyptian sarcophagi, stone sculptures and 19th-century paintings held at the Pergamon Museum, the Alte Nationalgalerie and the Neues Museum sustained visible damage during the attack on 3 October. … German media have linked the museum island attack to conspiracy theories pushed through social media channels. … One such theory claims that the Pergamon Museum is the centre of the ‘global satanism scene’.” – The Guardian
Ethics And The Politics Of Deaccessioning
“Difficult times bring out the best in us, and sometimes, encourage the worst. The current manifestations around deaccessioning are beginning to be solved by the courts. Unfortunately, when ethics can no longer endure, we turn to the courts for resolution. The (museum) professionals are abrogating their authority to another group of professionals (lawyers).” – James Abruzzo
Checking In With The Guerrilla Girls: Protesting For 35 Years
“We wanted to create the idea that we are everywhere, and we are listening. We could be working at the MoMA or even at Leo Castelli’s gallery. We wanted to create this idea that the art world was being watched, surveilled and scrutinized. Anonymity has protected us, but now I’m not sure anyone cares any more who we are. It has changed.” – The Guardian