Category: visual

“A statue of Mary Magdalene housed in the chapel of Saint Pilon in the Var, in southeast France, has been destroyed by vandals apparently unhappy with her lack of clothing. The perpetrators left a note at the scene saying they ‘did not accept that a great saint like Mary Magdalene [should] be represented in such a way’.” – The Art Newspaper

Historically, museums have used themed exhibitions, acquisitions schemes, or public programs to signal a shift, but otherwise they continue with business as usual. Real shifts must be seen from the sidewalk to the boardroom. There is an urgent and long-standing need for long-term commitments to diverse hiring and executive leadership, divestment from the police, accessibility, and a zero-tolerance policy for racism from staff or visitors. – Vanity Fair

There’s a lot going on right now. “Archivists, curators, and librarians nationwide are assembling the record of how the pandemic is impacting their communities in real time, collecting everything from makeshift masks to journal entries to protest signs. Their mandate is both urgent and sweeping.” – Wired

Even before the colorful public ballots of the early United States, actually, “people used the viva voce system, rooted in ancient Greece, where voters announced their candidate to a clerk. In some US colonies, voters would use objects, like corn and beans, to vote yea or nay; and in other states, people would line up on opposite sides of a road to signal how they were voting.” – Hyperallergic

Portland doesn’t exactly have the best history with its Black populations, including forced gentrification after decades of intense redlining. A 69-year-old artist says, “They tried to scoop us out of the city. … Now there are generations of Black artists working in Portland to create historical artifacts around our own existence to show that we have always been here.” – The New York Times

Thuy Van Vu’s empty classrooms feel eerily familiar right now, almost photographic. “The spaces she portrays are vast and full of potential, and also of a great, yawning absence. Where are the children? Their teachers? The chairs are piled awkwardly on top of the desks, everything pushed together, as if those who left were in a rush. There’s a sense that these desks and chairs have been lingering and might never be used again.” – Catapult

Police tear-gassed the gathering before the march began, killing L.A. Times columnist and KMEX news director Ruben Salazar (two others also died during the tear-gassing and shooting). “The Moratorium shifted creative paths for those who were present and those who heard about it on the news or from friends. It fueled an urgency to make visible the Chicano experience, one that had largely been left out of the history books — an urgency that remains resonant.” – Los Angeles Times

The current crisis raises the question of what exactly a museum is. Is it a collection of objects, or the staff that bring those objects to life and makes them accessible to the public? ‘We need to think about museums not only as repositories for things […],’ Nicole Cook, a member of the Philadelphia Museum of Art Union organising committee, writes via email, ‘but rather as vital centers for scholarship, education, and community, all core activities that revolve around people – and more pointedly, activities that rely on fully staffed museums.’ – Apollo

Art Basel organizers plan to present two new online viewing room initiatives in September and October, which they describe as “freestanding, thematic editions.” Unlike previous iterations of the Art Basel-branded viewing rooms, these will not be provided free of charge to exhibitors at the physical fairs. Instead, Art Basel will charge a flat fee of CHF 5,000 ($5,500) for each of the new editions. – Artnet