Five artists finished the mural in 12 hours last week after the officers involved in George Floyd’s death weren’t all four arrested and charged with a crime. “The mural has quickly become a memorial site for locals, who come to honor Floyd and mourn his death.” – Hyperallergic
Category: visual
The Chicken Church Of Java
The power of one man’s divine vision … and the internet. – The Guardian (UK)
How Covid-19 Will Reshape Building Design, According To Architects
In short: “COVID-19 is likely to reshape the ways in which today’s architects design houses and offices, transit hubs and medical facilities. It will have architects reaching for new technologies and reintroducing old ones — say, a little less air conditioning and a lot more cross ventilation.” – Los Angeles Times
So Here’s The Sotheby’s Plan: One Auctioneer And A Lot Of Screens
This is the scintillating way auctions will happen this summer (and perhaps beyond, of course): “The Sotheby’s auctioneer, Oliver Barker, will be live, by video, in London, looking at screens showing his associates live in New York, Hong Kong and elsewhere, who will be on the phone with live bidders all over the world.” – The New York Times
Why Did The Guggenheim Decommission A Donald Judd?
The work is part of the controversial Panza Collection. “In the mid-‘70s Panza acquired from Judd a paper ‘certificate’ for an unconstructed work known as Untitled [Seven plywood boxes: open back] (1972–73). That document contained a rough sketch and dimensions for instantiating the work — a series of large, open, plywood cubes. When Panza later had the work made in Milan in 1976, based on the certificate and other more detailed instructional papers, Judd raised concerns.” – Hyperallergic
Why We Need To Rethink The Art Blockbuster
Over the years, the blockbuster has been frequently called into question, and with good reason. Do these shows really serve our audiences or do they just pander to the crowd in order to attract large numbers of visitors? – The Art Newspaper
When Art Became “The Show”
Today the more relevant split is the more recent one between modern and contemporary fields (the latter has no exact date of origin—1968, 1980, 1989?), which is a schism less between the university and the museum than between scholarly curators and flashy exhibition-makers. This split was opened up when the 20th-century art museum was penetrated by the culture industry, and it was deepened when the contemporary art world expanded into the global business of art biennials and fairs. With the first development came a demand for on-site entertainment, and with the second a need for far-flung attractions. – Artnet
Coming In 2022: A Virtual Reality Biennial, Curated By An AI Program
“That’s right: the chief curator of the 2022 Bucharest Biennial is Jarvis, an artificial intelligence program in development from the Vienna-based studio Spinnwerk. … Jarvis will ‘use deep learning in order to learn by itself from databases from universities, galleries, or art centers’ and select works that fit the chosen theme, Spinnwerk founder Razvan Ion [said]. … Instead of a traditional in-person exhibition, the show will take place in virtual reality, meaning that it will be accessible to anyone in the world who has access to a VR headset.” – Artnet
Artists, Don’t Worry That The AI Robots Are Coming To Replace You
Ahmed Elgammal, director of the Art and Artificial Intelligence Laboratory at Rutgers: “Can an artificially intelligent machine be an artist in its own right? My answer is no. While the definition of art is ever-evolving, at its core it is a form of communication among humans. Without a human artist behind the machine, A.I. can do little more than play with form, whether that means manipulating pixels on a screen or notes on a musical ledger.” – The New York Times
How To Fence That Van Gogh You Stole
Arthur Brand estimates that a work of art in the criminal underworld is worth about 10 percent of its value in the legitimate art market — so if a painting might sell for $10 million at auction, it can be traded among criminals for a value of about $1 million. Octave Durham said the value is even lower than that — about 2.5 to 5 percent of market value. – The New York Times