Category: visual

Chiura Obata’s Career Was Interrupted By Internment During WWII. Now A Retrospective Of His Work Has Been Stilled By The Virus

“Suddenly he was in a drab, dehumanizing place, first a stable in California, then the barracks of Topaz, Utah, where he spent most of his time in internment. It was bleak, hot, arid and dusty, and he missed green things, trees and gardens. He moved quickly to establish an art school, both at Tanforan and later Topaz. And when he represented the camp at Topaz, the sense of displacement became dreamlike, even surreal, a luminous landscape that looked just a bit scorched, with a few dark buildings in the midground standing in for the enormity of what was happening there.” – Washington Post

Give This Woman A Pritzker Prize! Once Pakistan’s Starchitect, She Now Designs Mud-And-Bamboo Huts For Poor Villagers

Yasmeen Lari retired at 60 after making her career designing some of Pakistan’s glitziest modern buildings for government and corporate clients. Then, after a severe earthquake, she went to help with reconstruction — designing simple houses that survivors could build themselves, using the debris, that cost a tenth of what NGOs spent on prefab concrete homes. And she’s gone on from there, developing one innovative and inexpensive structure after another, creating jobs for impoverished women at the same time. – The Guardian

How LACMA’s New Building Became A Referendum On Museums

How did this building, initially embraced as promising, if not visionary, come to ignite a scorched-earth debate in its final stages? The story of LACMA’s campus reconstruction—and the current opposition to it—reflects some of the thorniest questions at play in the operation of museums today: what they are meant to be, who gets to decide, and who is meant to pay for them. – Artnet

Can Looking At Art Online Beat The In-Person Experience?

“It’s definitely less trouble. You can stroll around the masterpieces at the Rijksmuseum, Amsterdam, while seated at home in front of your laptop. Naturally, it’s far less crowded that way than it would be in reality. In other respects, though, the process is almost the same. You can select a Vermeer or a Frans Hals, and move in to examine it close up, read the information, move back — and, if you want, listen to a rather noisy narrated analysis of Rembrandt’s ‘Night Watch’.” – The Spectator

When COVID Shut This Small Museum Down, Its Community Suffered A Big Loss

“In the eight years since it was founded, the Underground Museum has become not only one of the most important destinations for black art in the country but also a crucial gathering place for its working class Arlington Heights neighborhood [in Los Angeles]. … As cultural institutions all over the world wrestle with how to bring art to the public during the pandemic, smaller ones like the Underground Museum are also trying to figure out how to continue serving communities that have come to rely on them in other ways.” – The New York Times