Six-Year-Old Thrown Off Tate Modern Balcony Last Summer Can Sit Up And Speak

“The French tourist, who was visiting London with his parents, was pushed from the gallery’s 10th floor viewing platform by a teenager with a history of mental health problems. … The boy has now gained the ability to sit up on his own, and he is able to feed himself soft foods with his right hand. He is still working on the coordination of his left side but is making small advances.” – Artnet

What’s Missing While Looking At Art Online

It is increasingly common for people to buy art, like everything else, online. So online presence is obviously vital. Perhaps the Covid-19 emergency, while directing attention onto the virtual world, will also indicate its limitations. It has been argued by several commentators that, rather than bringing people together, digital technologies and social media contribute to the creation of a generation of disengaged narcissists under the spell of surveillance capitalism. Other people, places and things are reduced to the status of props in a theatre of selfhood. Yet it seems a little unlikely that the person who checks out galleries online fits that profile. – Irish Times

Who Gets The Credit – And Money – For An Artist’s Quick Rise?

A lesson in not making desperate promises, perhaps: “When Derek Fordjour was a little-known art student at Hunter College, before Michael Ovitz and Beyoncé began collecting his work, before his paintings came to sell for more than $100,000, the fledgling artist struck a deal with a New York gallery. He agreed, according to a lawsuit now being pursued in New York Supreme Court, to produce 20 works for $20,000.” Now the gallery says he owes 7 paintings – or $1.45 million. – The New York Times