How Ann Patchett Threw Her Entire Book Away (Parts Of It A Few Times) Before Getting To The Right Voice

Patchett, author of Bel Canto and State of Wonder (and the new The Dutch House): “It was a funny thing to throw a book out. People seemed much more upset about it than I was. Some people said, It must be like a death! It was nothing like a death. It was like burning a cake. You know that feeling? Oh, hell, I burned the cake. Then you cut the cake open and eat the little pieces in the middle that aren’t completely ruined, then you bake another cake.” – LitHub

It’s Only 2019, But The Guardian Has Made A List Of The 100 Best Books Of The 21st Century

Agree, disagree, tick off the ones you’ve read on a list … whatever, here they all are, from nonfiction to poetry to doorstop novels to graphic novel memoirs to everything else that won the approval of the British newspaper’s reviewers. (We hesitate to imagine the epic meetings and battles that took place to decide on number one.) – The Guardian (UK)

Zadie Smith On The Most Important Book Of The 21st Century

The author of White Teeth and Swing Time says we should all read a 700-page nonfiction book about technology and capitalism. “If a book’s importance is gauged by how effectively it describes the world we’re in, and how much potential it has to change said world, then in my view it’s easily the most important book to be published this century.” – The Guardian (UK)

After Transforming Children’s Lit, Jacqueline Woodson Pauses To Give Adults A Novel Too

Not that Woodson hasn’t written for adults – she has. She’s written memoir, poetry, prose, essays, and just about everything else for every age, including a recent picture book that grew out of a book of young adult poetry that grew out of her great-grandfather’s experiences. She’s won just about every prize there is to win in children’s and youth literature, including a prize that’s allowing her to found an organization that will give fellowships to emerging writers of color. And now, in her novels, she’s turning to a reckoning with the present and the past. – The New York Times