Apocalypse Now: Literature Studies Are Going Away

The academic study of literature is no longer on the verge of field collapse. It’s in the midst of it. Preliminary data suggest that hiring is at an all-time low. Entire subfields (modernism, Victorian poetry) have essentially ceased to exist. In some years, top-tier departments are failing to place a single student in a tenure-track job. Aspirants to the field have almost no professorial prospects; practitioners, especially those who advise graduate students, must face the uneasy possibility that their professional function has evaporated. – Chronicle of Higher Education

Why Dialects Improve On A Language’s “Correct” Use

Languages do exist, but they are not necessarily the things we take them for. On the one hand, we each have an understanding of at least our mother tongue that allows us to produce sentences in it according to certain rules. I say “I kicked the ball” not “the ball kicked I.” That knowledge of rules in our brains is one part of the reality of a language. The other part is its existence as an autonomous system, a means of communication whose form is negotiated between speakers. It is not fixed, but changes as it is used in millions of separate interactions. – Paris Review

Why The Pieces Of Books Are Where The Pieces Of Books Are

“I certainly did not know, for example, that the earliest recognised dust jacket belongs to a literary annual entitled Friendship’s Offering of 1829. Nor that e.e. cummings’s self-published No Thanks (1935) contains a dedication to the 14 different publishers who had rejected the manuscript: ‘NO THANKS TO Farrar & Rinehart, Simon & Schuster, Coward-McCann’, etc. Nor indeed that acknowledgements tend to be printed at the front of academic books, unlike works of fiction where the acknowledgements go at the end — this primary placement offering ‘a means to publish the author’s CV and boast of influential friends’.” – The Spectator

Nope – Reading Won’t Make You Better! (But That’s Not Why To Do It)

These studies miss a bigger point by implying that reading fiction is, at its best, a tidy cause-and-effect process. Enter intellectually weak and benighted, exit emotionally toned and trim, as if a novel were the psychological equivalent of kettlebells or a Peloton bike. Fiction’s strength, though, is that it delivers not order and clear direction, but mess and evocations of our unsteady state of being. – Washington Post

Is The Book-To-Movie Trend Hurting Storytelling?

We are now in the mature stage of a book-to-film boom that is quietly transforming how Americans read and tell stories—and not for the better. The power of this force is hard to quantify because intellectual property is now being bought in Hollywood in such unprecedented volume and diversity of source material. Almost all written works that achieve prominence today (and many more that don’t) will be optioned, and increasingly it is becoming rare for film and television projects to move forward without intellectual property attached. – The Baffler

Pakistani Authorities Paid No Mind To This Satirical Novel When It Was In English. Now That It’s In Urdu, They’re Confiscating It

“First published, in English, in 2008, [Mohammed Hanif’s] A Case of Exploding Mangoes is a dark satire about the possible reasons for the death of [dictator] General Zia [ul-Haq] in a plane crash in 1988. Featuring bumbling generals and homosexual romance, it was shortlisted for the Guardian first book award, longlisted for the Booker and won the Commonwealth prize for best first novel.” The Urdu translation of the novel has just been released, and men claiming to be from the Pakistani military spy agency ISI raided the Karachi offices of the book’s publisher, seized all the copies, and demanded a list of booksellers who had ordered it. – The Guardian

Smithsonian To Release Series Of Comic Books On American History

“One series will include books for middle-school readers inspired by Time Trials, a set of videos from the National Museum of American History that introduces figures from the past, like the traitor Benedict Arnold and the abolitionist John Brown, and encourages the audience to discuss their actions. Other series will draw upon the cultural and scientific knowledge of the Smithsonian.” The project is a partnership with IDW Publishing, which has already produced graphic memoirs by Congressman John Lewis (about the civil rights movement) and George Takei (about his family’s time in a World War II internment camp). – The New York Times