Think memoir, travel, family history, history of the world. That’s what a good cookbook is. – Literary Hub
Category: words
Grappling With The Purpose Of The Public Library
If public libraries are not for the rich, they probably are not otherwise for the poor. To understand the public library as a benevolent form of welfare would be to entirely miss the radical potential of the institution as a political project. It isn’t utopian, nor is about culturing the masses, nor offering the marginalized a space where they mustn’t “pay for coffee.” – The Baffler
Why Do Movies About Classic Authors Have To Be So Serious… So Dull?
Let us count the ways in which we’ve been force-fed dour, vitamin-deficient biopics of our favorite authors. Why. So. Serious. On top of being ponderous, such work bristles with the insecurity of filmmakers timidly making the case for long-dead writers; every hushed scene screams the anxious question: Will people take their work seriously if we don’t present them seriously? – New York Magazine
This 19th-Century French Poet Was The Ancestor Of Today’s Goth Kids
Charles Baudelaire (1821-67) wore black, dyed his hair green, broke with his family, refused to get a regular job, did absinthe and opium, had too much illicit sex, and, of course, died young. Better, “his first collections of poems, Les Fleurs du Mal (The Flowers of Evil, 1857), was prosecuted for offending public morals, challenging its audiences with its startling treatments of sex, Satanism, vampirism and decay. No wonder his words would one day be set to music by The Cure.” – The Conversation
AI Is Getting Very Good At Writing Prose
When the creators of GPT-2 gave the AI model a single sentence referencing J.R.R. Tolkien’s Lord of the Rings series, the machine generated a few paragraphs of Tolkien-esque prose—capturing a measure of the author’s unique world and sensibility. – Publishers Weekly
School Reading Scores Declined In Half Of American States This Year
“Eighth graders at the bottom 10th percentile of reading achievement lost six points on the exam compared with similar students two years ago, while students at the 50th percentile lost 3 points and students at the 90th percentile — top achievers — lost only 1 point.” – The New York Times
Who Gave You The Right To Tell That Story? Ten Authors On Writing Fiction About Identities Other Than Their Own
“The conversation is often depicted in the media as a binary: On one side are those who argue that only writers from marginalized backgrounds should tell stories about people who share their cultural histories — a course correction for an industry that is overwhelmingly white — while on the other are those who say this wish amounts to censorship. For those following closely, it can feel as though the debate has gotten stuck in a rut.” Here, a group of writers including Jennifer Weiner, N. K. Jemisin, Victor LaValle, Laila Lalami, Monique Truong, and Sarah Schulman discuss why they write outside their identities. – New York Magazine
How To Write About Those Outside Your Own Experience?
“Given all the excellent writing about the challenges of rendering otherness, someone who asks this question in 2019 probably has not done the reading. But the question is a Trojan horse, posing as reasonable artistic discourse when, in fact, many writers are not really asking for advice — they are asking if it is okay to find a way to continue as they have. They don’t want an answer; they want permission.” – New York Magazine
Can This Website Become An Amazon For Independent Bookstores?
This January, the American Booksellers Association Bookshop will launch Bookshop, “a mobile-friendly website with one-click ordering à la Amazon that … will sell physical books and digital audio but not e-books. It will also discount, but not nearly as deeply as Amazon … [and] experiment with various thresholds for free shipping.” – Publishers Weekly
What’s Becoming Of Condé Nast In A Post-Print World?
In a sort of sequel to last week’s New Republic article on how Mr. Condé Montrose Nast created the high-end glossy magazine industry, writer Reeves Wiedeman visits the (shrinking) Condé Nast offices at One World Trade Center for a longread about how the (shrinking) magazine-publishing group has and hasn’t been adapting to the rise of digital media, especially with Anna Wintour having been made creative director for the entire company. – New York Magazine