NAZI-STOLEN BOOKS

As World War II was coming to a close, staffers of the Library of Congress fanned out in Germany scouring Nazi book collections and picking out volumes for the Washington library – more than 1 million of them. Now – 55 years later – the US army captain in charge of the mission says that many of the books taken had been looted from Jewish homes, libraries or synagogues by the Nazis, and that these books are sitting unacknowledged on the shelves of the Library of Congress and other American libraries. – Washington Post

CUBAN DANCE TROUPE –

– the legacy of an American from Bryn Mawr, and Cuba’s first professional dance company, celebrates ten years. “Danza Libre, a company of 25 dancers and musicians, creates modern work and preserves and retrains dancers in the country’s disappearing Afro-Cuban traditions.” – New York Times

IT’S A HELLHOLE

London’s Millennium Dome “turns out to be the biggest fake orgasm in the history of passionate pretence. It must also be the only symbolic monument to be erected without anyone having a clue what it is meant to symbolize. Hence the banal shape, all too indicative of its hackneyed exhibition, every old broiler of an idea in the world of arts and entertainment come home to roost.” – The Telegraph (UK)

  • MAYBE NOT: Here’s another critic, a self-confessed cynic who kinda sorta gets into the spirit of the Dome. – London Evening Standard

NEW DIRECTOR FOR CLEVELAND MUSEUM OF ART

Katharine Lee Reid, currently director of the Virginia Museum of Fine Arts in Richmond, is the daughter of the Cleveland’s legendary director, Sherman E. Lee, a Chinese-art scholar who ran the museum from 1958 to 1983 and built it into a leading showplace for Asian art. – New York Times

CLASSICAL REBIRTH

Classical music has “entered the third Christian millennium more bewildered than most art forms, having long since lost its bearings. Yet the very anarchy of millennial mayhem may subtly assist its arrival at an epochal self-recognition. For the more diffuse society becomes, the more it reflects the eclectic state of musical creation.” – London Telegraph