Editing Marcel Proust Was A Nightmare (Especially After He Died)

“Proust composed by an immensely complex process of writing and rewriting, weaving together passages sometimes composed years apart, filling his margins with additions and, when the margins ran out, continuing on strips of paper glued to the pages.” Carol Clark writes about the challenges of editing and translating The Prisoner, one of three volumes the author didn’t live to see through publication himself. — Literary Hub

American Cultural Mythology: Authenticity Above All Else (Hollywood-Style Of Course)

Bohemian Rhapsody, picked apart by cultural commentators for its divergences from the real story of Queen’s rise, is great for its realness? A band that campily reimagined rock and roll as opera, that played with baby talk and disco beats, whose lead singer paraded about in royal finery, is the ensurer of authenticity? – The Atlantic

How Sound Can Tip Us To Things Like Climate Change

Scientist Garth Paine: “I have spent decades making field recordings in which I create a setup before dawn or dusk, then lie on the ground listening for several uninterrupted hours. These projects have taught me how the density of the air changes as the sun rises or sets, how animal behavior shifts as a result, and how all of these things are intricately linked.”

Cities Of War (An Urban Plan)

“Urbicide is the targeted destruction of cities as a tactic of war. The violence chronicled here is not aerial annihilation—hospitals and homes reduced to rubble—but the “gradual construction of buildings and infrastructure” in ways that collapse boundaries between war and peace, militarizing everyday life.  – Public Books

The Essay As Art Form

The essay is a marginal, even trivial form, yet is also deeply and seriously engaged with the weightiest questions of how a philosophical and political subject can be constituted out of a particular body and mind. Essayistic writing—as opposed to strict autobiography, which may simplify and explain a life through narrative—shows what is at stake when we say “you”: another “I.” – Public Books