Mime Isn’t Dead, It’s Just – Quiet (Ahem)

“In the United States, mime is generally understood as a gimmick. Even mocking it seems outdated. … But there’s also new blood carrying on the art. Broken Box Mime Theater is one of two active mime companies in New York City, and its founder is not yet thirty years old. The American Mime Theatre, NYC’s other mime company, has been active since 1952. Most of its members are the same age as those in Broken Box.”

The White House Has Decided To Use Genius To Annotate History

“The White House has asked President Obama’s former staffers to add context to past speeches using the online annotation platform Genius. The notes, on the White House’s website now, feature anecdotes such as what it was like for Jon Favreau to stare down a blank computer screen before writing the president’s first State of the Union address. While the contributions will be heavily curated, members of the public are encouraged to add annotations as well.”

The Secret Rock Records Smuggled Into The USSR On X-Rays

“They do vary in quality, hugely. Some were virtually unlistenable. But that didn’t seem to matter, in some ways. I mean, talking to people who bought these records when they were young — even the tiniest thread of melody, of this forbidden sound, was so exciting. And it led to a different world, really, a world of freedom, [even though the music was] not obviously anti-Soviet.”

The Armed Robber Who Became An Interpreter Of Samuel Beckett

Rick Cluchey’s life “began to change for the better when the San Francisco Actors Workshop performed ‘Waiting for Godot,’ directed by Herbert Blau, at San Quentin State Prison in November 1957. Thus began the unlikely redemptive arc of Mr. Cluchey’s adulthood, one that led him out of jail and toward a career as an actor and playwright, most notably as a protégé of Samuel Beckett and an interpreter of his cryptic work.”