Time and time again, the author argues that background knowledge is not only unnecessary, but even hurtful, to truly appreciating a work of art — hence the advice to ignore wall labels and audio guides. Michael Findlay accurately points out that many people are intimidated by art, because they feel they don’t know enough to understand it, so if they could just look at it for what it is, they’d appreciate it more than if they’d known the whole artist’s biography.
Tag: 01.09.18
How U. Texas Fought Yale For Arthur Miller’s Archive – And Won
“That battle pitted two of the nation’s most prestigious, and deep-pocketed, archival institutions against each other, in a mini-drama mixing Milleresque high principle with more bare-knuckled competition. And it cracks a window onto the rarefied trade in writers’ papers, and the delicate calibrations of money, emotion and concern for posterity that determine where they ultimately come to rest.”
London Is Losing Its Music Venues
UK Music says 35% of venues across the country have closed in the last decade. “The big problem has been in recent years that developers have moved in next to pre-existing music venues,” says the body’s chief, Michael Dugher. “All of a sudden, the people in a block of flats are complaining about the noise of a venue.”
Did Wikileaks Violate Copyright By Tweeting A Link To Download Of “Fire and Fury”?
The hardcover book that costs $18 on Amazon was suddenly free for anyone via WikiLeaks’s Twitter page. The tweet, which includes a link to a PDF file saved on Google Drive, raised questions about possible copyright infringement — and whether those who click on the link and download the free file could face legal troubles.
UK Report: Ticket Fraud Is Big Business (And Getting Bigger)
New data from the Society of Ticket Agents and Retailers, and Action Fraud – which reports on fraud and cyber crime for the police – shows that the total recorded losses between May and October 2017 came to £1.66 million. This is made up of 3,973 individual reported incidences of ticket fraud – when tickets are purchased but don’t arrive, or turn out to be fake. This is an increase from the 2,885 reports recorded over the same period in 2015.
LA County Museum And Autry Museum Join Their Collections Together
“The idea is to treat our collections as one and for our curators to work together accordingly,” LACMA director Michael Govan said in the announcement. “This exchange of works and ideas will allow both museums to bolster exhibition content especially in the areas of the historical and contemporary American West and the exploration of indigenous cultures across the Americas.”
Why So Many People Believed That Trump Watches The (Made-Up) ‘Gorilla Channel’
The issue, writes Jacob Brogan, isn’t the “echo chamber” or “media bubble”. Rather the contrary: Twitter is the opposite of a bubble – and that’s precisely the problem.
Thw World Health Organization Wants To Classify Video Game Addiction A Disease. These Academics Object
Last week, a group called the Higher Education Video Game Alliance, which describes itself as a platform for higher education leaders to “underscore the cultural, scientific and economic importance of video game programs in colleges and universities,” published a statement that strongly objected to the WHO classification. The alliance described the proposal as “premature” and said it was based on research into gaming addiction that showed “a clear lack of consensus” from scientists and doctors.
New York State Makes It More Difficult For Inmates To Get Books
Several observers pointed out that the initial five approved venders offered fewer than a hundred books for sale, two dozen of which are coloring books. “Why would they eliminate books?” Garcia asked. “It’s bureaucracy clashing with humanity.”
Ireland’s New National Opera Company Announces Its First Season
The Irish National Opera won’t be parking itself in the capital: plans are for and 38 performances in eight regional cities as well as Dublin, plus a contemporary work at London’s Barbican Centre. Repertory ranges from Mozart and Gluck through Verdi, Offenbach and Bartók to living composers Thomas Adès and Donnacha Dennehy.