California Governor Proposes Slashing Arts Budget

“The $1.1 million in state taxes that Brown wants to allocate for the arts council is one one-thousandth of a percent of the $113.3 billion in overall general fund spending he proposed last week. That continues a longstanding policy going back to the early 2000s in which California governors invariably have proposed anteing up the bare minimum from state tax coffers that’s needed to qualify for about $1 million in matching federal funds from the National Endowment for the Arts.”

After A Century, Wisconsin Orchestra Is Going Silent

The Green Bay Symphony “has survived world wars, the Great Depression, financial troubles, years-long closures, the introduction of television and the rise of rock ‘n’ roll. It has performed under different names in various venues, and morphed from an amateur community group to a professional one. And now, amid donor fatigue and declining ticket sales, the farewell season is in full swing. Musicians, though, remain hopeful that they can drum up support to keep the symphony intact.”

The Making Of A Male Ballet Virtuoso

“Men’s ballet technique, unlike women’s, finds its expression in short bursts of extreme but controlled athleticism. … There are so many things to think about at once: the position of the feet, the torque of the turns, the composure of the upper body, the shifting gaze, the placement of the arms.” Marina Harss watches one master, Ethan Stiefel, pass on secrets to ABT up-and-comer Calvin Royal.

Jake Berthot, 75, A Romantic Sort Of Minimalist Painter

“In many ways, Mr. Berthot spent his career exploring how to supplement and expand on the modernist monochrome without straying too far from it.” After a 1996 move to rural upstate New York, “the natural world became an increasing influence. He turned to depicting trees and hills so close in tone to their backgrounds that they almost seemed carved from them.”

Milan’s Trompe-L’Oeil Church

“Standing in the doorway, you’re drawn to the majestic, cavernous space behind the altar. Rows of columns support a lofty, gilded ceiling that matches the decadently adorned arches above the pews. But it’s all a clever deception – the space behind the altar is less than 3 feet deep. The seemingly vast expanse is actually a painted wall.”

Paris’s New Concert Hall, Meant To Bridge Divides, Has Created New Ones

The location and programming of the Philharmonie de Paris, perched right on the city line next to the ring road, are aimed to reach out toward the four million people living in the capital’s northern and eastern suburbs. But they – many of them immigrants or their French-born children – are wary, even as many in the city’s established classical music audiences object to the hall’s remote location.