The Economist Discovers The Alt-Classical Movement

‘Classical includes a range of new artists and sounds: from the minimalism of Steve Reich to the percussion of Inuksuit Ensemble. Contemporary artists like Maya Beiser, who transforms our expectations of the soloist by using technology to layer her own playing of different parts on the cello, and Max Richter, who merges violin, orchestra and synthesiser, should be considered no different to the Stravinskys and Schuberts of eras past. Such artists create a valuable entry point for new listeners, whatever their age.”

Seven Fierce Fistfights From Art History, From Michelangelo To Julian Schnabel

“When we think of creative people getting into fights, writers usually are the first that come to mind – Ernest Hemingway, Norman Mailer, Jack London, etc.” Hyperallergic stands up for visual artists, with examples from Caravaggio beating a pimp to death to two of Picasso’s mistresses wrestling to two examples of painters punching out art critics.

Is Our Old Notion Of What An “Artist” Is Dead? Here’s What’s Replacing It

“A new paradigm is emerging, and has been since about the turn of the millennium, one that’s in the process of reshaping what artists are: how they work, train, trade, collaborate, think of themselves and are thought of—even what art is—just as the solitary-genius model did two centuries ago. The new paradigm may finally destroy the very notion of “art” as such—that sacred spiritual substance—which the older one created.”