Why We Need Theatre That Hurts, That’s Unpleasant, That’s Uncomfortable

“I don’t fault my friend for fleeing the theatre. This is art that hurts, though, to me, the pain seems entirely appropriate, even welcome. It’s not art of the cloying variety; it doesn’t depict pain that is pity-seeking, or that aims to emotionally hijack an audience on a ride through some dreary personal catharsis.” – The New Yorker

Conductor Carlos Miguel Prieto Faces Storms At Mexico’s National Symphony Orchestra

The 53-year-old Mexico City native, who is also music director of the Louisiana Philharmonic, is accused of paying exorbitant fees to foreign soloists, something both he and his manager insist is a currency conversion mistake. And musicians from the orchestra are reportedly urging Mexican officials to fire Prieto for poor leadership. — The New Orleans Advocate

An Existential Threat To The Baltimore Symphony?

Gregory Tucker: “What has long been hailed as Baltimore’s ‘other major league team’ is about to risk losing its major-league status. The Baltimore Symphony Orchestra’s Board of Directors, of which I was a member until this past June, has decided that Baltimore and Maryland can no longer afford a major league symphony orchestra, given what are real and persistent financial challenges. It is proposing cutting the season by 12 weeks.” – Washington Post