“In its first era of popularity, [Lydian] was all pop and pulp, but now it seems reserved for the task of adding just the slightest bit of a smirk to extremely straight-faced endeavors: elegant magazines, important books, experimental theater, and $80 ceramic pipes.” — Vox
Tag: 01.17.19
Yalitza Aparicio, Star Of ‘Roma’, Becomes A Symbol Of, And For, Mexico’s Indigenous Women
“[She and the film have] started a national conversation about inequality, the treatment of domestic workers and who is welcome on the red carpet in a country where Indigenous women are rarely seen in magazines” — she’s now the first indigenous woman ever to appear on the cover of Vogue México — “much less at Hollywood awards shows.” — The New York Times
Carlos Miguel Prieto Cleared Of Overpaying Foreign Soloists At Mexico’s National Symphony
“The cultural secretary’s office admitted that the [earlier report] relied on information in a public government database that, in effect, converted the guest performers’ fees [between] American dollars to Mexican pesos twice, vastly inflating the totals in some cases.” Some observers are suggesting that the charge against Prieto, music director of the Louisiana Philharmonic as well as of Mexico’s flagship orchestra, was being pushed by musicians unhappy with his leadership. — The New Orleans Advocate
Dance Magazine Handicaps The New York City Ballet Directorship Candidates
“The new director’s name could be released any day now. And we have some theories about who it might be.” Lauren Wingenroth runs down a list of ten possibilities (though she seems to think only two are really likely). — Dance Magazine
Lin-Manuel Miranda Sees Audience Member Shooting Video, Calls Her Out From Stage Literally Without Missing A Beat
The creator of Hamilton, playing the title role in the musical’s high-profile run in Puerto Rico, was in the middle of the song “My Shot” when he spotted someone recording the show on her phone — and ad-libbed, in rhythm, “Lady filming in the 4th row, please stop it.” (After the show he tweeted “Please don’t make me do that shit again.”) — CBS
Poet Mary Oliver Dead At 83
“Often compared to her literary idol Ralph Waldo Emerson, with whom she shared an abiding interest in the natural world, Ms. Oliver combined a precise, unfussy style with an almost religious devotion to examining nature. … Ms. Oliver was a rarity in modern American literature — a best-selling poet, so popular she was interviewed by journalist Maria Shriver in O, the Oprah Magazine.” — The Washington Post
Why’s Everyone In Cremona So Nervous About Noise Right Now? It’s About The Strads
Eventually, the centuries-old string instruments for which this Italian city is famous will become too fragile to play. “So that future generations won’t miss out on hearing [them], three sound engineers are producing the ‘Stradivarius Sound Bank’ — a database storing all the possible tones that four instruments selected from the Museo del Violino’s collection can produce.” But the mics are extremely sensitive … — The New York Times
Netflix Refuses To Remove Footage Of Quebec Rail Disaster From ‘Bird Box’ And ‘Travelers’
Video of the 2013 derailment and explosion of an oil-tanker train that killed 47 people in the town of Lac-Mégantic features in both Netflix original productions, and, despite heavy criticism, the company says that the footage will not be cut. (Company reps say they’ll be more sensitive in the future.) — CBC
Inventing A Podcast To Bridge Different Cultures
Make-Believe is a new podcast company in Chicago, and is, as Jeremy McCarter likes to put it, a podcast that’s “one part live theater, one part TV production, one part social science… Chicago is multiple cities. The discourse becomes more authentic when you can bridge — let’s call it what it is — segregation.” – The New York Times
“Exciting Future”? Monitoring the Uncertain Condition of the Embattled National Academy of Design
“Get updates about our exciting new future,” proclaims the homepage of the long-dormant NAD, which closed its doors to the public on June 1, 2016, at the age of 190, with the stated intention of reopening in a “new home.” Two and a half years later, the nature of that “exciting future” has not yet been revealed and a “new home” has not yet materialized. — Lee Rosenbaum