“There’s a massive hole,” producer Lyndsay Magid Aviner said of the lack of urban dance on New York stages. Coming from the circus world, the Aviners said they believe there’s a broad audience for physical storytelling. Justin Peck’s popular 2017 work “The Times Are Racing” for New York City Ballet, danced in sneakers, convinced them that audiences would embrace the kind of work the Madrids are doing. Taking a cue from movement-based hits like “Blue Man Group,” “Stomp” and “Fuerza Bruta,” the Aviners went the for-profit route. They said they raised $200,000 for the San Diego run, then held their breath. – The New York Times
Tag: 01.21.20
Netflix Greenlights Bradley Cooper’s Leonard Bernstein Movie With All-Star Producers
Netflix has acquired all rights to the untitled Leonard Bernstein film that Bradley Cooper will direct, star in and produce from the script he co-wrote with Oscar-winning Spotlight scribe Josh Singer. The project exits Paramount, which set the film as a priority project in May 2018. – Deadline
How Margaret Mead’s Reputation Eroded
Within anthropology, Mead is still revered, but mostly as a way to understand the discipline’s origins. In the popular mind, Mead’s name has all but vanished, her reputation whittled down to an apocryphal quote found on coffee mugs and dorm-room posters: ‘Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it’s the only thing that ever has.’ What’s more, Mead has become a target of vitriolic dislike for a particular kind of cultural conservatism. – Aeon
Study Shows Women Making Small Parity Gains In Grammys
The third edition of the study, spearheaded by USC Annenberg Inclusion Initiative founder Stacy L. Smith, was announced Tuesday, revealing that for 2020, the percentage of female nominees in five of the highest-profile Grammy categories has hit an eight-year high, accounting for nearly 21% of all nominations in those fields. – Los Angeles Times
Artificial Intelligence Is About To Transform Video
AI-assisted editing won’t make Oscar-worthy auteurs out of us. But amateur visual storytelling will probably explode in complexity. Even tools for one-to-one video messaging might evolve—AI on our phones could pull together disparate clips into weird, delightful missives. And, of course, AI editing will uncork new forms of digital malfeasance: It’ll be a lot easier to persuasively lie, to make ever-slicker propaganda. – Wired