“At 41, Wynton Marsalis is the most famous living jazz musician, named in 1996 as one of Time magazine’s 25 most influential Americans. While many jazz players have been classically trained, he is rare in straddling both worlds professionally.” Yet he inspires camps of critics as well as admirers. “While friends cite his charm and humility, others find him dogmatic, and worry about the power of his patronage. Marsalis rails against a ‘jazz establishment’ as ‘racist, ignorant and disrespectful of musicians’.”
Tag: 01.26.03
Asian Gallery Sells Fakes Backed By “Scientific” Claims
Seattle Times reporters buy art purported to be Chinese antiques hundreds of years old from a local gallery. Turns out the art isn’t hundreds of years old – it’s only a few years old, practically new. “The pieces sold by Thesaurus Fine Arts are a trickle in the flood — but notable in that, unlike many fakes, they are purportedly backed by scientific evaluation. Experts say they know of no other art dealer in the United States that makes such sweeping claims on obviously phony pieces.”
Copyright Extension Discourages Performers
The recent decision of the US Supreme Court to uphold the extension of copyright terms to 95 years might be a good thing for music publishers. Might. But it discourages performers, particularly small non-profit school ensembles, from performing music written in the past century. And that can’t be good in the long run, even for publishers.
Wrecking The Music Business – Plenty Of Blame To Go Around
So now the music industry is going to go after people who download big quantities of music. “The RIAA says somewhere out there is a person who downloaded 600 songs in a single day. That’s about 40 full CDs, retail value: $720. He or she is the one the RIAA is looking for – to make an example of them and put fans on notice that downloading is a prosecutable crime. The day of reckoning nears. Consumers must face the fact that they can’t get music for free forever. And the industry needs to understand that it never would have lost all those customers in the first place had it not been so consumed with greed.”
Profit Shouldn’t Be A Bad Word
The shakeup at Random House in the past few weeks has many fuming about the health the quality book publishing business. But is that really what the message of this story is? So “the country’s major publisher made no bones about what’s important – profit. And, is that a bad thing? There’s no reason why a quality piece of fiction can’t make money, and so far, despite the schlock and superficiality found in the bookstores, publishers will continue to offer books worth reading because they sell, too.”
Al Hirschfeld, Artist
“As an artist, Hirschfeld, who died at 99 on Monday, cared about visual cues: gestures, mannerisms, the way an actress dashed across the stage or cocked her head while he sat in the dark of the theater jotting shorthand impressions to take home and translate into drawings. Call them abstractions of the drama, which became loopy lines, dashes, dots, curlicues and crosshatches. He was a genius at capturing likenesses in a few serendipitous strokes — as good as they got, week after week, since the 1920’s, turning the viewing of his work on this page into an American ritual. But what really separates him from other caricaturists is the vitality and suppleness of his line, an abstract matter.”
Aussie Non-Fiction Supplanting Fiction
Australian non-fiction has taken over publishing. “Book after book indicating a renaissance in Australian non-fiction, incorporating everything from narrative journalism to memoir, rock’n’roll, history, philosophy, the essay and political biography. Works that often blurred the territory between these forms and fiction, part and parcel of a radical hybridisation of style and content affecting literature internationally and sending our old generic orders into meltdown. When compared with this catalogue, recent local literary fiction was not up to the same consistent standard, let alone able to match en masse the furious energy our literary non-fiction exudes.”