Anthony Goldstone, Pianist Who Recorded CDs At A Record Pace, Dies At 72

Goldstone recorded prolifically – and, with his wife Caroline Clemmow, produced recordings of hundreds of works for four hands. “He also delighted in excavating unpublished or unfinished pieces which he would complete himself and record. A disc of Mozart, for example, featured a number of works left unfinished at the composer’s death – including a D minor Fantasy and a Präludium in C – fragments which were reconstructed and completed with skill and sensitivity.”

This 1956 Opera About Courageous And Doomed French Nuns Could Not Be More Relevant

To draw the connection between Poulenc’s “Dialogues des Carmélites” and this very moment: “When mosques have been burned in Florida and Washington State, when a Muslim can be removed from a plane for reading or speaking in Arabic, when a registry for U.S. Muslims is being discussed as a real possibility, it’s worth looking back at the anti-religious hysterias of earlier times. The intolerance is the same; only the clothes and the book are different.”

These People Built A Ponzi Scheme Around ‘Hamilton’ Tickets – And Got Caught

They “raised about $81 million from at least 125 investors in 13 states who were told their money was being pooled to buy large blocks of tickets to be resold for a profit.” Instead, the guys spent the money on private school tuition, jewelry, and casinos.

When Sartre And Camus Lost Their Friendship Arguing How To Be Free

Newspapers sold out across France when Camus’ book The Rebel was published – and Sartre’s newspaper trashed it. “The split between the two friends was a media sensation. … It’s hard to imagine an intellectual feud capturing that degree of public attention today, but, in this disagreement, many readers saw the political crises of the times reflected back at them. … If you are thoroughly committed to an idea, are you compelled to kill for it? What price for justice? What price for freedom?”

Absurdist Theatre Serves The Resistance To Any Regime

After the fall of the Soviet Union and its satellite states, absurd theatre fell out of fashion. Then came 9/11. “Absurdism is about facing a world in which nothing seems to make sense. It is about accepting that deeply tragic events happen sometimes without much or any warning. It is about the realization that our understanding of the universe is limited and flawed. It is about the embracing the fact that our lives can be both terrifying and ridiculous, indeed the more terrifying, the more ridiculous. And it is about resistance.”