Lynn Nottage, Pulitzer-Winning Playwright, Talks Research, Collaboration, And The Fracturing Of America

“One of my frustrations with what happens on the stage a lot of the time when working class people are put up there, it’s like poverty porn. They’re laughed at, or they’re the villains, or they’re ridiculous. I think the struggles folks are going through are really real. It affects you physically and emotionally.”

Contemporary “Classical” Music Inaccessible? Perhaps These Are The Issues?

“It is a little disheartening that everybody, including “classical” musicians, has the need to grasp for terms like “classical,” “concert,” or worse, “art” music. Is there not a tacit air of aristocracy or bourgeoisie to the concert-going community? I know that what I do and with whom I do it are privileges, but our products ought to be more publicly digestible.”

The Most Prolific Session Drummer Prepares For His Solo Career

“Back when he recorded his first tracks, studio musicians weren’t appreciated or even known by name outside the record industry. But Purdie was one of the foremost sidemen to advocate for his own visibility, and few others had his charisma or cockiness. Everywhere he goes, Purdie is called upon to play his defining creation, the Purdie Shuffle, a notoriously complex four-limb beat that he invented (and quickly named after himself) in his salad days.”

We Want To Believe We’re ‘Natural,’ But All Humans Eat Seriously Artificial Food Every Day

“Canned and frozen fruits and vegetables in winter eliminated the scurvy that had plagued the northern United States. Iodized salt did away with the goiter belt of the Midwest. More nutritious, safer food contributed to a taller population that lived longer. Life expectancy increased from under 50 years in 1900 to around 75 at the end of the 20th century.”

Why Isn’t Jazz More Popular? Could It Be The Jazz Police?

“The notion that jazz is or isn’t is actually antithetical to the spirit of this music and all of the artists who have pushed its boundaries. Trying to make this music fit into a neat little box just can’t happen. And that’s tough for some people. We crave definitions for our art, and when we can’t describe or compare it, many get frustrated. Hence, the Jazz Police.”