After a much delayed $50-million renovation and expansion, Dartmouth College’s 65,000-object Hood Museum of Art at last reopened on Jan. 26 with six new art galleries, three new study galleries and three classrooms equipped with “the latest object-study technology.” — Lee Rosenbaum
Tag: 01.30.19
The Three Mexican Filmmakers Who Are Conquering The Oscars
“Roma, Alfonso Cuarón’s intimate masterpiece, has been nominated for 10 Academy Awards, … [and its] achievements belong to a generation of filmmakers unlike any other in the history of the art form. If Cuarón wins again, the Mexican trio of Alejandro González Iñárritu, Guillermo del Toro, and Cuarón will take home their fifth Oscar in the past six years in the Best Director … Few countries can claim to have produced a cohesive group of collaborators with the level of success three Mexican auteurs have enjoyed for more than two decades.” — Slate
If New York City Wants To Landmark The Strand Bookstore (Against Its Owner’s Wishes), Just What Will That Protect?
“The Landmarks Preservation Commission exists to safeguard ‘the buildings and places that represent New York City’s cultural, social, economic, political and architectural history.’ But this is not the same thing as safeguarding the city’s cultural, social, economic and political heritage. The emphasis is on buildings and places, not what takes place inside them.” — The New York Times
A Native American Tribe Revives Its Culture With The Help Of Old Wax-Cylinder Recordings
“In 1890, just months before the murder of some hundred and fifty Lakota Indians at Wounded Knee, a mustachioed anthropologist named Jesse Walter Fewkes dragged a state-of-the-art Edison phonograph to Passamaquoddy country [in northeastern Maine]. This was during the height of ‘salvage anthropology,’ an attempt to document the many tribes that were being massacred into extinction.” Those recordings have now been digitized and returned to the Passamaquoddy, and they’re being slowly deciphered and used to teach younger tribe members their people’s traditions. — The New Yorker
Wexford Opera Festival Changes 2019 Program ‘For Financial Reasons’
The fall festival on the Irish coast, known for presenting rarities, has removed Weber’s Der Freischütz from its schedule, replacing it with Vivaldi’s Dorilla in Tempe. The Weber opera, which is on the fringes of the mainstream standard repertory, requires 12 soloists, a chorus, and a relatively large orchestra; the Vivaldi requires 6 soloists and a much smaller pit band. — Irish Times
Do The Oscar Telecast Producers Even Want To Show People Winning Oscars Anymore?
They’re only going to air two of the five Best Song nominees. They’re going to present some of the technical awards (even Best Cinematography) during commercial breaks (although the Oscars are the only time those trades get to be in the public spotlight). They generally seem obsessed with making the telecast short. New York Times Carpetbagger columnist Kyle Buchanan argues that the producers should do the opposite and embrace the Oscars’ Oscarness. — The New York Times
Netflix Is Getting Into Theatre-On-Demand
The move may signal a wider expansion by the streaming giant into capturing theatre for the small screen, which experts say could see it capitalise on a demand for more accessible ways to watch live performance. – The Stage
75+ NYC Galleries Sued Because Their Websites Aren’t Accessible To Blind People
“Like the lawsuits targeting other businesses, the claims against galleries tend to identify websites that lack special code that would enable browsers to describe images for people with impaired vision. In order for screen-reading software to work, the information on a website must be capable of being rendered into text. The complaint also cites several other ‘barriers’ to site accessibility, including ‘lack of alternative text,’ an invisible code embedded beneath a graphic image or within a URL.” – Artnet
BBC’s Latest Dance Competition Show Has A Race Problem
Not that the producers or panelists are to blame: The Greatest Dancer features plenty of minority contestants. But it’s the studio audience that decides who proceeds to the next round, and it seems they just will not vote for Asian competitors, no matter how enthusiastic the panelists are. Same for black female contestants. — The Guardian