So Tamara Rojo Is Having An Affair With One Of Her Dancers – Does It Really Matter? Yes.

“It doesn’t matter what Isaac Hernández’s skill set is, he will be the dancer that got to where he is because his girlfriend is also his boss. Ms. Rojo is the AD who gave prominent roles to her boyfriend and the management at [English National Ballet] are the ones who left a publicly funded dance company open to litigation from dozens of dancers claiming discrimination or constructive dismissal because the boss is sleeping with one her dancers. Should their relationship go south, which of course never happens, …”

Making Theatre From, And About, Disaster And Terrorism Drills

“The point is that practice makes perfect – in theatre as in emergency situations. We rehearse for both, and ‘lockdown’ drills preparing children for the threat of active shooters are on the rise in American schools. Breach [Theatre’s] new show, The Drill, questions the effectiveness of such procedures. It asks whether playing out attacks increases rather than diminishes their potency.”

Call To Action: Curators, Historians, Artists Call For More Engaged Cultural Institutions

“We are writing to affirm the leadership role of cultural institutions in advancing cultural and social as well as political public discourse. As stewards and advocates of contemporary and historical cultural expressions, we directors, curators, and staff members of cultural institutions, as well as the board members to whom we are accountable, have a particular obligation to facilitate the free and safe exchange of ideas about our contemporary world with art as the catalyst.”

The Curious Case Of The Movie Whose Studio Lost Confidence In It

Annihilation will still hit screens in the world’s two biggest markets—the U.S. and China—but the Netflix partnership is an unusually public show of nervousness over the film’s profitability. Paramount can use the money from the deal to help recoup the film’s reported $55 million budget, but if Annihilation is a hit, the studio will miss out on any international grosses. The deal also effectively signals Paramount’s lack of trust in the vision of the filmmaker it hired.

So What Was Manhattan’s Lincoln Plaza Cinema *Really* Like? This. (And Maybe This Is Why It’s Closing)

“Irritated cross talk and loud quarrels, whether between couples or random filmgoers, was such a mainstay of the Lincoln Plaza experience that last fall, my wife and I made a point of going there to see The Meyerowitz Stories, with Dustin Hoffman playing an ill-tempered sculptor and bad father, because we knew it would be like seeing the film in Sensurround.” And, found Bruce Handy, it was – even at a weekday matinee.