Facebook Takes Down Philly Museum Of Art Image For ‘Suggestive Content’

“The Philadelphia Museum of Art’s International Pop exhibition starts on February 24th. To promote it, an Art Museum staffer posted the image above – Belgian artist Evelyne Axell’s 1964 painting Ice Cream – on Facebook. … Per the Art Museum, it was removed from the site for ‘containing excessive amounts of skin or suggestive content.'”

Michelangelo Had Terrible Arthritis In His Hands – And Kept On Painting

Recently published research “suggests that Michelangelo Buonarroti suffered from osteoarthritis for the last 15 years of his life. Miraculously, though the researchers claim that this was why the Renaissance master could not write his own letters toward the end of his life, it did not affect his art practice, which remained prolific up to the week of his death.”

Behind The Scenes, Using Instagram, At City Ballet

“Viewing the creation of The Most Incredible Thing on Mr. Peck’s and Mr. Dzama’s Instagram feeds offers a new way of engaging with dance and contemporary art. I began to wonder how much more they and the dancers are asked to account for themselves and their work in fixed forms. Documenting ballet has always been a tricky proposition. By translating dance into writings, interviews, recordings, and critical essays, you understand how ephemeral the medium is.”

Picasso’s Daughter Says She Did *Not* Sell Disputed Sculpture To Two Different Owners

“Maya Widmaier Picasso, who is the artist’s daughter with his French mistress Marie-Thérèse Walter, issued a statement through her lawyer Thaddeus Stauber on Friday saying she sold a 1931 plaster bust of her mother, ‘Bust of a Woman,’ to a New York dealer, Larry Gagosian, in May. The dealer subsequently sold it to Mr. Black for roughly $106 million, a record-high price for any Picasso sculpture.”

Why Is A Major Portland Museum Closing And Being Absorbed Into A College?

“Mills considers everything that has happened as the result of the museum’s original 2007 move into the Pearl District from its home on Southwest Corbett. That move wasn’t just geographic; it changed the culture of the museum (which had been known as Contemporary Crafts Gallery) as it raised its visibility and quality of exhibitions. And it was far more expensive. ‘I don’t think they ever recovered,’ Mills said.”