Neuromancer: Why Today’s Horror Movies Are Scarier

“Today, Hitchcock’s fantasy of direct access to the brain is a reality in neurological operations such as deep-brain stimulation (DBS) for the treatment of patients with Parkinson’s disease. Experiments using the same technology aim to cure depression by stimulating more joyful emotional circuits. In turn, Hitchcock’s films are used by neuroscientists to study emotions in the brain.”

The Play That Samuel French Tried To Stop An Hour Before Curtain? Here’s What Happened Next

The show went on – with some ingenious last-minute adjustments by the show’s creator/performer, Erin Pike. For instance, the performance started with the voicemail message a Samuel French executive left Pike saying that the performance was “illegal” and the agency would “go after [their] presenter.” (includes audio of voicemail message)

Top Posts From AJBlogs 02.08.16

Squawking in Milwaukee: My Upcoming WSJ Review of the Milwaukee Art Museum
For my article on the “Arts in Review” page of tomorrow’s Wall Street Journal, (online later today, if all goes according to plan), I had the challenging task of reviewing an entire museum in 900 words. … read more
AJBlog: CultureGrrl Published 2016-02-08

Monday Recommendation: Thad Jones/Mel Lewis
The Thad Jones/Mel Lewis Orchestra, All My Yesterdays (Resonance) This is an alert to an event—a recording documenting the birth of an ensemble that electrified listeners and set a new standard for big band jazz. … read more
AJBlog: RiffTides Published 2016-02-08

Dancing a Fairytale, Its Joys and Tribulations
The New York City Ballet premieres Justin Peck’s new ballet and offers works by Thatcher, Binet, Schumacher, and Wheeldon. Justin Peck’s The Most Incredible Thing. Sterling Hyltin and Taylor Stanley dance in front of the… … read more
AJBlog: Dancebeat Published 2016-02-06

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The Second Act Of Pamela Anderson

“Pamela became a celebrity in a different age. … Her heirs to the throne of tabloid notoriety have no such luxury, nor do they desire it. The celebs created by Instagram and YouTube became famous to be seen; what’s the point of privacy? Now that every would-be Kardashian can send out a constant, direct-to-consumer stream of staged intimacy and selfies, access—the longtime currency of fame—has been upended. Pamela, whose image was ubiquitous before ubiquity could be juiced with retweets, is left in the strange position of having to renegotiate the nature of her own public image.”