“Naturally, as a woman and a mother, I am not for sexual predation of women in any industry. That kind of goes without saying. Before Nora Ephron died, she made a list of the things she wouldn’t miss. I think number one or two on that list of things I won’t miss are more panels about why there aren’t enough women in film. That’s kind of how I’m feeling now. We talk about it, and we talk about it, and nothing fucking changes. You can quote me on that.” – The Smart Set
Tag: 02.08.19
Blackface Minstrelsy, America’s First Cultural Export
While other nations have had traditions of blackening the face to portray a particular character (e.g., Holland’s Zwarte Piet), “a man named Thomas Dartmouth Rice first brought American minstrel shows to Europe in 1836 in which white performers portrayed African American slaves in tattered clothes, dancing and singing songs such as ‘Jump Jim Crow.’ … [Subsequently,] blackface minstrels toured Australia, India, South America, South Africa and other places in the world. They were seen as American and therefore exotic” — and their imagery was absorbed into other cultures.” – Public Radio International
After 109 Years, Yale Whiffenpoofs Admit A Female
The most famous of collegiate a cappella groups, the Whiffenpoofs were an all-male outfit until a decision last year to choose singers based on voice range (still tenor, baritone, and bass) rather than gender. So the Whiffenpoofs line-up for 2018-29 includes tenor Sofia Campoamor. – The Washington Post
Jan Wahl, Children’s Book Author Who Worked With Greatest Illustrators, Dead At 87
“[He] was an extraordinarily prolific author who published more than 100 books, many of which found favor with children and parents alike. His collaborating with leading book artists” — among them Maurice Sendak, Edward Gorey, and Norman Rockwell — “was one measure of the esteem with which his work was held; they can be notably selective about what children’s book authors they’ll work with.” – The New York Times
Professional-Level Arts Are Thoroughly Subsidized By (If Not Addicted To) Unpaid Labor
Citing practices that “wouldn’t be tolerated in any other industry,” the ArtsPay 2018 survey “reveals that salaries in the sector, which are already low in comparison with other industries, are even less favourable than they appear because they take no account of the unpaid overtime that workers are routinely expected to do. It raises serious questions about the sustainability of careers in the arts.” – Arts Professional
How Neuroscience Is Going to Change The Business Of Finding An Audience
Neuroscience, it turns out, can help change how companies think about new opportunities, and specifically, within the emerging field of applied neuroscience. Applied neuroscience is best described as the use of neuroscience tools and insights to measure and understand human behavior. Using applied neuroscience, leaders are able to generate data about critical moments of decision making, and then use this data to make confident choices that help to navigate the future of an initiative. – Harvard Business Review
A Prescient Warning From 1994 About Dangers Of A Distraction Culture
Writing in 1994, Sven Birkerts worried that distractedness and surficiality would win out. The “duration state” we enter through a turned page would be lost in a world of increasing speed and relentless connectivity, and with it our ability to make meaning out of narratives, both fictional and lived. The diminishment of literature—of sustained reading, of writing as the product of a single focused mind—would diminish the self in turn, rendering us less and less able to grasp both the breadth of our world and the depth of our own consciousness. – Paris Review
The Six-Foot-Seven Prisoner Who Staged The First All-Black Shakespeare
Richard Crafus, aka “King Dick”, was shipped off to a prison in southwestern England as an enemy combatant during the War of 1812. The biggest and strongest man in a segregated wing of the jail, he ran everything there — including a prisoners’ theatre, where he staged Romeo and Juliet and Othello. – The Stage
Play Under Attack For Using Puppet To Play Autistic Child
In All In A Row by Alex Oates, “a puppet portrays the character of Laurence, who is described as ‘autistic, non-verbal and occasionally violent’. … The play has faced a backlash online since a production video previewing it was released.” Critics say that the casting “fed into ‘a negative narrative of dehumanising’. A spokesman for the play said it was ‘untenable’ to get autistic performers to play the part.” – London Evening Standard
Choose: Through This Door The World Is Getting Better. Through The Other Door…
This may not feel like a particularly revolutionary time. But, if we look closely, we can see current economic, social, and political forces pulling us in two directions. One direction will accelerate us forward, the other backwards. We will decide our fate by the revolution we embrace. – The Walrus