The Age Of Irony

Is Post-Modernism dead? No – it’s deeply embedded in popular culture. “The increasing influence of postmodernism on pop culture is born of our overfamiliarity with the tricks of conventional storytelling, according to Poe. We now have generations growing from infancy bombarded by TV and film that employ narrative conventions. What used to be necessary storytelling devices – a recognizable chronology, character development, emotional identification with characters and situations – are becoming clichés. Fans of postmodernism think of themselves as too educated and too smart to fall for those clichés. Postmodernism is ironic; it’s always winking at the audience and making them part of the game, enlisting them as co-conspirators.”

No More Money – So Deal With It, Says Culture Minister

Despite harsh public criticism in the past few weeks, the Scottish culture minister says there will be no injection of cash to help the arts. Nor will there be a bailout of the Scottish Opera, which is in dire financial condiction. And what of the National Theatre plan? That, says the minister, will still go ahead, and he hopes to attend first performances there while he is still in government. But with a static arts budget, observers are skeptical.

Two American Performers’ Unions Talk Merger

The two major American performers unions have taken the first step in merging to form a new union. “At a joint meeting, the national boards of the Screen Actors Guild and the American Federation of Television and Radio Artists on Saturday approved principles of consolidation that are the first step in forming a new union. Supporters said consolidation would maximize their strength and resolve jurisdiction fights, such as who represents actors in digital productions.”

Curry Kicker Cancels Project

A British performance artist was paid £12,000 to kick a carton of curry through the middle of the town of Bedford. But the event was canceled today for “fear of too much interest” and large crowds. The proposed stunt got a lot of publicity this week after controversy when some declared the idea a “waste of taxpayers money.” The concept behind the take-away box performance was “to highlight rowdy Saturday night behaviour” and “destabilise and question this revelry by kicking a take away curry and carton from one end of the High Street to the other.”

A Rebirth Of Roman Architecture

Rome is so full of classic architecture, modern Romans have mostly shrugged their shoulders and said – can’t top that. “So it may be a surprise to learn that Rome is regaining its creative momentum. Over the past several years, the city has seen the launch of a series of major building projects designed to update its cultural profile. The first of these, a $157-million complex of three concert halls by celebrated Italian architect Renzo Piano, was unveiled in December. Two major civic projects by American Modernist Richard Meier are under construction.”

WTC – Questions Of Design/Process

“In light of the emerging power struggle that will determine how much of the grand designs for ground zero get built, any effort to assess the finalists may come off like an exercise in aesthetic hairsplitting. But as the redevelopment officials who sponsored the competition vie with real estate developers and others who remain intent on overstuffing the 16-acre site with commercial space, such an analysis becomes essential, if only because it reminds us what this exercise is all about.”

Double Down – Curators Play Cards To Get Art

To convince collectors of important Picasso and Matisse art to loan their work for a show, curators started playing cards with them. “The object of the game? To create sparks for a three-city show in which the two artists would face off on the gallery walls. Collectors got to shuffle the deck, juxtaposing the cards in various ways. But the game always ended the same way: the collectors were asked to part with their card, their art, for a year. It worked.”

From The Met To Disney (And Back Again)

Francesco Zambello is an acclaimed director who has worked in the world’s top opera houses. So why is she working for Disney, creating a show for their theme parks? “I’m a populist, an opera evangelist. I believe in making shows that speak to a broad audience. I’m not afraid of the word `entertainment.’ So far the sort of mainstream hit scored by other ‘serious’ directors of opera and drama like Trevor Nunn (with “Cats”), Nicholas Hytner (“Miss Saigon”) and Julie Taymor (“The Lion King”) has eluded Ms. Zambello, and not for lack of trying.”

Classic Music At Fire Sale Prices

Prices for classical recordings have never been better. “Several factors have brought prices to this nadir. Contrary to any number of reports, the classical recording industry isn’t dying. But it’s definitely contracting. Far fewer new recordings are being made, so to keep market share, major labels are reissuing older titles when they aren’t even old.” Some of the deals n classic recordings are amazing…