Oscar Niemeyer Denied Chance To Make One Last Monument In Brasilia

The man who designed Brazil’s once-futuristic capital (“widely considered an architectural masterwork and an unparalleled urban catastrophe”) is still working at age 101, so he was invited to design a monument for the city’s 50th anniversary in 2010. But when he revealed his plan for a new plaza, architects and preservations cried that Niemeyer’s new design just wouldn’t fit with Niemeyer’s old design.

An Oscar For The Reader Would Be A Disgrace

“If I hadn’t used the locution so recently, I would be certain to call The Reader ‘The Worst Holocaust Film Ever Made.’ … This is a film whose essential metaphorical thrust is to exculpate Nazi-era Germans from knowing complicity in the Final Solution. The fact that it was recently nominated for a best picture Oscar offers stunning proof that Hollywood seems to believe that if it’s a ‘Holocaust film,’ it must be worthy of approbation, end of story.”

Arts Are Education, Health Care And Infrastructure

“It is time for the American arts community to confront its stunning political ineptitude. … In less than 75 years, the arts have gone from the single largest priority in a government stimulus package to a toxic joke, with a popular special amendment keeping them out. It is a stunning turnaround. How did it happen? Somehow it has come to be broadly accepted that concrete, asphalt and medicine for the body (as distinct from the heart and soul) have greater moral worth.”

A Dispatch From The Fund-Raising Front Line

It’s not the society reporting we’re used to reading, but the Washington National Opera Midwinter Gala is hardly alone in deglamorizing itself this year. “After Wall Street tanked and corporations stopped writing checks, gala organizers were forced to scale back everything from ticket prices (slashed from $1,000 to $500) to decor and centerpieces: flickering lanterns and artful veggies — headed to a food bank at the end of the night — instead of fresh flowers.”

Shepard Fairey, Seizing His 15 Minutes, Sues The AP

“Shepard Fairey, the artist whose ‘Hope’ image of President Barack Obama was added to the National Portrait Gallery in Washington, sued the Associated Press over the news company’s copyright challenge to the artwork. Fairey seeks to ‘vindicate’ himself after the AP earlier accused him of copying the AP photograph on which the artist’s red-white-and-blue image of Obama is based, according to a complaint filed today in federal court in New York.”