Why British Political Satire On TV Stops Being Satirical When It’s Adapted By Americans

“Failure is a wellspring of British comedy, but its American counterpart rewards ‘optimism [and] a refusal to see oneself in a bad light’.” Christopher Orr looks at how Game of Thrones changed from savage political parody to dramatic thriller as it crossed the Atlantic, and how The Thick of It morphed into the farce of Veep.

The Genius And Excess Of John Berryman

“Centennial celebrations, meant to re¬suscitate a reputation, run the risk of burying it instead. Consider the case of John Berryman … Not so long ago he was a commanding figure in what had come to be known as confessional poetry, for its seemingly raw autobiographical excavation of alcohol and drugs, adultery and divorce, madness and hospitalization.”

If Too Many Arts Professionals Come From “The Elites”, Well, Whose Fault Is That?

“Judi Dench, David Morrissey and Julie Walters have all lamented [working-class folks’] absence. But, interestingly, they each talk about the opportunities for working-class kids that existed 20, 30, even 40 years ago, when they were establishing their careers. What has changed between then and now has nothing to do with the socially and ethically conscious people that largely make up our arts sector.”

Top Chinese Director And Top Communist Party Newspaper Duke It Out Over Reality TV

“The spat began earlier this month, when director Feng Xiaogang lambasted the popularity of a spate of recent Chinese movies based on popular reality television shows. … That hurts genuine filmmaking, he argued, because it draws investor money away from more serious movies.” Arguing back was no less than the People’s Daily (sounding not unlike The Wall Street Journal, actually).