Art’s AI Potential – It’s Not Just Crunching Data

When marketers and technologists think about the applications for artificial intelligence, it’s common to think along the lines of data processing, GPS route-finding, and logistics efficiency. But as artists and creatives embrace the technology, new possibilities are presenting themselves in the forms of creative direction, visual design, and song creation. – CMO

Is The Optimization Culture Killing Us?

As employees in a hyperproductive, work-obsessed world, we’ve become acutely aware of any opportunity for optimization. Attempts by companies like Google or Freshly to create services that save you time misfire, as millennials see them not as services that will give them more time to relax, but as services that will increase the amount of time they’re available to work. – Medium

Using The Oxford Comma Makes You A Hotter Prospect On Tinder

“On an internet occupied by as many finger-wagging ‘grammar Nazis’ as slovenly texters who prefer emoji to verbal displays of emotion, the Oxford comma has become a cause célèbre. This is especially true on dating apps, where many users have deemed the punctuation mark something they ‘can’t live without’ — a designation that’s put it in the same lofty category as cheese, the beach, and Game of Thrones.” – GQ

What Does The Jussie Smollett Saga Reveal About 2019 America? Victimhood Chic

John McWhorter: “Smollett doesn’t need the money he would get from a court settlement, and he isn’t trying to deny someone higher office. So why in the world would he fake something like that attack — if he did indeed fake it? The reason might be that he has come of age in an era when nothing he could have done or said would have made him look more interesting than being attacked on the basis of his color and sexual orientation.” – The Atlantic

Reasons To Care About The Bauhaus 100 Years On

“If you like airy, light-filled buildings, functional furniture, elegant, affordable design, sans-serif typography and clean-lined graphic design, you care about the Bauhaus. Equally, if you hate boxy, flat-roofed buildings, relentless standardization, the death of curves, ornament, the ironing out of cultural differences and overly rational planning, you care about the Bauhaus.” – Washington Post

Cultural Objects Versus Immigrants – A Disconnect

“Since the independence of West African countries throughout the late 1950s and early ’60s, the retention of objects and the simultaneous rejection of people has become ever more fraught. Young undocumented migrants from former French colonies stand metres away from the Musée du quai Branly – Jacques Chirac, a museum in Paris full of their inaccessible patrimony. The migrants are treated with contempt while the objects from their homelands are cared for in museums and treated with great reverence. The migrants will be deported but the objects will not be repatriated. The homeland is therefore only home to objects, not people.” – Aeon

A Bilingual ‘Romeo And Juliet’ — In English And American Sign Language

In a new production at ACT in Seattle, Juliet will speak English while Romeo will sign. (Interpreters will translate other roles’ lines into ASL.) In a process involving several steps, Shakespeare’s text has been converted into ASL poetry, “a distinct, dramatic form of sign-language storytelling … [that] uses gestures and facial expressions to evoke such poetic conventions as repetition, rhyme, alliteration, rhythm and meter.” – The Seattle Times