“For decades, artists have been using horror to speak to our deepest societal fears, from the wilderness (werewolves) to the unknown (aliens). With zombies, that fear is infection: the outbreak of some terrible epidemic that sweeps the world, rendering us all into the drooling, flesh-eating monster next door. … Why have these outbreak narratives infected the public conversation? And how have they affected the way we see the world?” (podcast)
Tag: 02.23.18
Jewish Theater Co. Sends Solo Show By And About Palestinians To Tour Colleges Across U.S.
“For Lindsay Acker and Austin J. Sachs, students at Eastern Mennonite University who spent 3½ months last year in the Middle East, the one-man play that came to their campus compelled them to grapple with all sorts of wrenching memories. … And for Gassan Abbas, the Palestinian actor from Israel who has been performing I Shall Not Hate in one college town after another, the experience has broadened his understanding of the compassion in this country – as well as a sense of its myopia about the world.”
How Did The Centennial Of Mexico’s Greatest Writer Pass With No One In The US Noticing?
“Juan Rulfo (1917–1986), rightly revered in Mexico and outside, is regarded as one of the most influential Latin American writers of all time. … One reason for the surprising neglect of Rulfo today may be that his reputation rested on a slender harvest of work, essentially on two books that appeared in the 1950s.” Ariel Dorfman pays tribute to Rulfo – and explains why his work hasn’t fared as well in the English-speaking world as it might have.
Cameron Mackintosh’s Plans For New Non-Profit Theatre In London’s West End Approved
“The proposals will lead to most of the existing Ambassadors Theatre being demolished, with the existing West Street facade and part of the Tower Court facade retained. Under the plans, the building will then be redeveloped into a flexible performance space with 450 to 475 seats and a new floor built above the auditorium to house a rehearsal space for larger shows.”
Canadian Academics Sue Over Country’s Copyright Laws On Fair Use
The core issue involves what the Canadian and international publishing industries see as a deeply damaging expansion of “fair dealing” copyright compensation (called “fair use” in other countries). As we’ve reported earlier, vague and imprecise language in the Copyright Modernization Act has resulted in universities setting their own fair-dealing guidelines, in many cases copying and distributing material to students without paying the publisher or copyright holder. This has created patterns of usage which other educational institutions, including K–12 schools, have then adopted. Canadian publishers have estimated they’re losing more than $50 million annually in copyright revenue.
Steppenwolf Theatre Co. Is Selling Some Real Estate To Pay For A Fourth Theater
The Chicago company is selling a building it own just south of its main campus, where it already has three theaters of various sizes.
Roxane Gay: I Can Write The ‘Batgirl’ Movie; DC Comics: Okay, Let’s Do It
“After Joss Whedon stepped down as the film’s writer and director on Thursday, Gay tweeted saying, ‘Hey [DC Comics] I can write your Batgirl movie, no prob.’ The tweet quickly garnered attention, leading Michele Wells, a Warner Bros. vice president who also works on DC films, to respond to Gay’s message. ‘If you’re serious … contact me,’ Wells wrote, providing her email address.”
The CD Isn’t Dying – It’s Just That Its Market Is Changing
“As streaming takes over the music business, there are signs that the CD is still going strong – just not at Best Buy or Target.”
Nanette Fabray, Broadway And TV Star Of 1940s Through ’70s, Dead At 97
On stage, she starred in High Button Shoes, Make a Wish, and Love Life (for which she won a Tony). On the big screen, she’s remembered for Vincente Minnelli’s MGM musical The Band Wagon (she was one of those bratty baby triplets). But television was where she made her biggest mark – costarring with Sid Caesar in sketch comedy (for which she won three Emmys), playing the mothers of the lead characters in The Mary Tyler Moore Show and One Day at a Time, and appearing on countless variety and game shows, from Ed Sullivan to Carol Burnett and Hollywood Squares to Match Game.
Why Movie Audiences Don’t Turn Out For Smart Science Fiction
“Sci-fi is a fun genre to work in; it tests creativity, but it seems like it also tests audiences’ patience. They don’t turn up for it. You really have to make a world that audiences are willing to step into and that’s proven the most difficult thing.”