“Not Useful For Creating Original Work”: Why John Cameron Mitchell Avoids Social Media, Even For “Hedwig”

“It’s hard to keep up with that; it takes a lot of energy and recently [there was] some study that overusing social media can make you depressed and jealous, so I actually chose not to go there. … User comments-culture is not useful for creating original work, I think. I’m all for information diets, which are helpful for the mood and for the art.”

Results: Arts Rank Low In Survey Of Essential Skills Students Need

“Despite decades of work citing and arguing the value and benefit of the Arts as a core subject important to the education of our children, despite substantial research on that importance, despite the flourishing of hundreds, if not thousands, of exemplary programs across the country, and despite all our efforts, the public seemingly STILL thinks of the arts (at least as important in education) as a frill, a luxury.”

Why Can’t Art Just Be Art?

“Cultural institutions once saw it as their priority to cultivate, preserve and display the best of the arts. Their unique contribution was to cultivate culture in the public sphere, for anyone to enjoy, by developing public understanding of the arts and sciences that have shaped the world we live in today. Through providing access to their collections and archives, they offered inspiration to, and sometimes platforms for, writers, painters, dramatists, architects, and many more.
Now they are desperate to be seen as inclusive, non-elitist public spaces.”

The Murky Gay (And Not-Gay) Politics Around Graham Moore’s “Stay Weird” Oscars Speech

“A lot of people assumed that by comparing himself to Turing, Moore was specifically addressing the plight of people who aren’t straight … But knowing that he’s straight, and knowing the primary controversy surrounding The Imitation Game has been about its minimization of the gay experience, makes Moore’s Oscars moment a somewhat strange one. In fact, it’s striking how much his speech is decidedly not aimed at gay people.”

Heart Of A Ballet Superstar: Wendy Whelan At 47

“She was, and is, longer than most. More angular. Like calligraphy, critics said. And that’s just the start. They go crazy for her work ethic. Her astounding strength. Her rapturous, incandescent spirituality. So have choreographers. … Last fall, at 47, Whelan left the New York City Ballet. But she’s still dancing.” (audio; includes video clips)

Top Posts From AJBlogs 02.24.15

Superstars have always been with us
AJBlog: For What It’s Worth Published 2015-02-24

From “Griddle Griswold” to “Twister Griswold”: New Outreach by Cleveland Museum’s Playful Director
AJBlog: CultureGrrl Published 2015-02-24

The Future of the Arts
AJBlog: CultureCrash Published 2015-02-24

Elling And Iyer At The PDX Festival
AJBlog: RiffTides Published 2015-02-24

Hail to college jazz radio stations like WHPK
AJBlog: Jazz Beyond Jazz Published 2015-02-24

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