ISIS And Its Sophisticated Cinema Of Terror

“The cinematography is as crisp and chilling as a horror movie. Men in orange jumpsuits kneel on a beach beneath a sky of broken clouds. Executioners hover over them, dressed in black, knives aglint. … This and other recent execution videos released by Islamic State are slickly produced narratives of multiple camera angles, eerie tension and polished editing that suggest the filmmakers are versed in Hollywood aesthetics.”

Turns Out Fiction Is (Just) Slightly More Complicated Than ‘A Stranger Comes To Town; Someone Leaves Town’

“To the aficionado, Jockers’s sheep/goats, wheat/chaff division of imaginative fiction sounds about as sophisticated as dividing the world of music into the up-chord and the down-chord. It sounds, indeed, like the lady in the Monty Python sketch explaining her theory about the brontosaurus (it starts off thin, becomes very thick, then thin again).”

Andrew Jackson – The President – Was Far, Far Bloodier Than You Think (And The Musical Should Acknowledge That)

“The lessons of Bloody Bloody are seen in American society today. Today, Native women are murdered at a rate higher than any other race in America. The majority of the perpetrators of violent crimes against Native women are non-Native men. The ‘jokes’ in Bloody Bloody about killing Indians are not ‘jokes.’ They are a reality.”

Writing On The Web, A Deeply Cynical Take

“Remember that first question: What is web writing in 2015? Is it still based on the author model? If you enjoy watching a writer’s mind work over time (or you enjoy having that freedom as a writer), is there still a way to do that? Or is the writer’s-voice-driven Internet over, forever, everything’s atomistic now and it’s no longer possible to scrape an audience together that way even if you want to?”

Stedelijk Museum Makes A Startling Public Admission

“The Stedelijk Museum in the Second World War” recounts the daring ways in which the museum’s employees fought Nazi censors after Germany conquered the Netherlands in May 1940. But the show also features 16 works in the permanent collection by artists including Paul Klee, Wassily Kandinsky and Henri Matisse that the museum says it might not rightfully own.