Broadway Producer And Harper Lee’s Estate Are Shutting Down Local ‘To Kill A Mockingbird’ Productions All Over America

“The theaters were planning to stage an adaptation of the novel by the playwright Christopher Sergel, which has been widely staged by adults and students for decades. Lawyers for the producer Scott Rudin, backed by the Lee estate, are telling the theaters that their productions are no longer permissible because there is a new adaptation, by the screenwriter Aaron Sorkin, which opened on Broadway in December.” – The New York Times

Former Balanchine Dancer Sues Balanchine Trust And Its Founder (And She’s A Board Member)

“Susan Gluck, a trustee of the George Balanchine Trust, which administers the rights to perform Balanchine’s ballets, filed a petition Thursday … seeking a full accounting of the financial management of the trust. She danced [under Mr. B. at New York City Ballet] from 1978 to 1986.” Gluck petition charges that Barbara Horgan, for many years Balanchine’s secretary, “has leveraged the trust to consolidate her power … and maximize her income to the detriment of other trust beneficiaries.” – The Washington Post

A Closer Look At Netflix’s Business Model

Netflix is not in the business of selling individual movies to many different customers. Instead, it’s in the business of selling many different movies to individual customers—in bundles. Bundled subscriptions allow Netflix to practice a different kind of price discrimination from the movie studios. The company doesn’t have to figure out how much a consumer values any individual movie on the service. The bundle does that for them—very profitably. – Harvard Business Review

Wendy Whelan And Jonathan Stafford Are New York City Ballet’s New Leaders

“Jonathan Stafford, 38, who has been running the company for more than a year on an interim basis, will become the new artistic director of City Ballet as well as its affiliated academy, the School of American Ballet. Wendy Whelan, 51, a star ballerina who danced with the company for 30 years, will become City Ballet’s associate artistic director. The two said they intended to work as partners.” – The New York Times

André Previn, 89

“[He] was a musical polymath who began composing for Hollywood at 16 and won a quartet of Oscars, and had additional careers as a jazz piano phenomenon and major symphonic conductor. All the while, he … was considered something of a playboy as he leapt with swaggering allure between Hollywood and the directorship of some of the world’s leading orchestras, often using his celebrity and skillfulness as a raconteur to bring wider attention to classical music.” – The Washington Post