WHEN YOU’VE SEEN ONE AFRICAN PERFORMANCE, YOU HAVEN’T SEEN THEM ALL

The Kennedy Center has just completed its three-year “African Odyssey” initiative. It staged 260 events of contemporary dance, theater and music from 40 countries, as well as presentations by African artists living in America and American creations inspired by Africa. Was this attempt to reach out beyond traditional European art successful? – Washington Post

HERR HAIDER AS CULTURAL PATRON

In Joerg Haider’s province in Austria, he is his own culture minister. Haider has two rhetorical enemies: foreigners who sponge up social benefits, and artists who crave subsidies and then refuse to toe the line. Herr Haider believes that art should be for the people. Avant garde artists have lost commissions because their work is too modern. What do people want? plenty of folk music. Herr Haider’s cultural adviser is Andreas Mölzer, whose view is that artists “behave like whores”. – The Times (UK)

ON THE ROAD TO MARRAKESH

There’s a revival of Western interest in North African music. “Long before India and the hippy trail, Morocco provided a springboard into the exotic, right on Europe’s doorstep. As Westerners from Cecil Beaton and Joe Orton to William Burroughs and the Rolling Stones came here in search of easy drugs and risky sex, so Moroccan sounds fed into Western pop.” – London Telegraph

POST-APARTHEID RAP

No that isn’t Snoop Doggy Dogg you hear thudding down the streets of Johannesburg – it’s Kwaito, South Africa’s latest musical craze. The lyrics, written in Zulu, Xhosa, and tsotsi taal (gangster slang) are dedicated to describing life in the townships and the experiences of the post-apartheid generation. – The Economist

AFRICAN FILM FESTIVAL

The tiny African country of Burkina Faso is home to Africa’s biggest film festival. “Fespaco has also turned little Ouagadougou, with its red-earth streets, into a city of biennial movie maniacs, who flock to the screenings and discuss the candidates for the Stallion of Yennanga, the festival’s grand prize, with as much fervour as World Cup football matches. Meanwhile, the bars and terraces of the Hotel Indépendence seethe with film-makers from Algeria to Mozambique and TV production scouts from Europe.” The Telegraph (UK) 03/04/00