The Problem With Movie Reviews Today

“If critics want to avoid irrelevance, they might relinquish their duties made redundant by the internet, and focus on reviewing film in terms that draw from their deep knowledge of film as a unique artform. Almost every review—whether in newspapers, magazines or websites—currently follows a similar blueprint: plot synopsis, recap of director’s work, brief appraisal of the acting and/or writing, cursory sentence about the camera work and/or score, and then a long dissection of the narrative and themes.”

Why Do We Find Some Languages More Beautiful Than Others?

Bernd Brunner (aggrieved): “People often describe German, my native language, as hard and aggressive. They relish criticizing its guttural sounds, long compound words, and the sentence structure … According to popular accounts, it was five hundred years ago when the apparently polyglot Charles V, Holy Roman Emperor, declared ‘I speak Spanish to God, Italian to women, French to men, and German to my horse.'”

How “Brand” Impacts The Book Business

“One view in the publishing industry is that bestseller lists are the product of a skill-based meritocracy. But the reality is that the popular perception of a book itself is colored by the strength of the author’s brand. When we view bestseller list, part of what we’re seeing is a brand ranking.”

Soderbergh Mashes Up the Two ‘Psycho’s

“Last week, Steven Soderbergh – retired from filmmaking, but still with many tricks up his sleeve – posted, on his Web site, a feature-length mashup version of Psycho that splices together the Hitchcock classic and Gus Van Sant’s shot-by-shot remake. … At the film’s violent junctures, … Soderbergh overlays the two versions, creating a disorienting blur of Hitchcock’s horror and its latter-day identical twin. (includes video excerpt)