How Britain’s Theatre Reinvented Itself In The Face Of Funding Woes

Lyn Gardner: “What do we mean by ‘the nation’s theatre’? Think back just 30 or so years and the answer was probably fairly straightforward. It was Shakespeare on our main stages across the country, the big flagship companies such as the NT and the RSC, the state-of-the-nation plays by David Hare, … the loved but often ailing network of regional theatres across the country frequently reviving classic plays and modern classics. Now the answer to the question is far more complex. It is still, at times, many of these things but it is much, much more.”

Lebanese TV Host Cuts Off Islamist Scholar Who Tells Her To Shut Up Because He Doesn’t Have To Listen To A Woman

Sheikh Hani Al-Siba’i: “Are you done? Shut up so I can talk.” Rima Karaki: “How can a respected sheikh like yourself tell a TV host to shut up?” Sheikh Al-Siba’i: “It’s beneath me to be interviewed by you. You are a woman who -” (Mic cuts off.) Karaki: “Either there is mutual respect or the conversation is over. In this studio, I run the show.”

Male Belly Dancers Make A Comeback In Istanbul

“Dressed in skirts decorated with coins and shimmering tassels, male belly dancers are back in vogue, jerking their hips and trembling their abs to hypnotic Turkish rhythms. Known as zennes, the performers were once a mainstay at the courts of Ottoman sultans, but they have been largely out of sight for decades. Their renewed popularity comes amid a broader revival of Ottoman-era culture that has spread to television, fashion and politics.” (includes video)

Facebook And Amazon And Even Candy Crush Could Make Us Happier And Healthier, If They Chose The Right Metrics

“Some things that it would be great to see in 2015 are: Facebook optimizing the newsfeed to help its users grow and develop, not just click. Amazon optimizing recommendations for user satisfaction, not just purchase. Brain-training that actually works. Services that allow people to better understand themselves, make better decisions, become happier.”

Where Playwrights Make Enough Money To Fund Their Little Theatre Habit

“Peterson offered the example of the prime-time, one-hour network show: Minimums dictate that a staff writer earns about $3,800 a week—and a fee of more than $36,000 for any episode for which he or she is credited as story and teleplay writer. The first time that episode is rerun, its writer receives an additional $24,000. Members of the writers’ guild also receive health insurance and pensions, benefits bestowed to playwrights only in very rare circumstances.”