Creative Men, Growing Old(er)

“For classical-music lovers, the movie is a treat, albeit a mixed one. It’s a source of exalted moments and a springboard for big ideas — but some of those moments and ideas evoke fractures in Bernstein’s world view and Hawke’s filmmaking.”

Where Are The Great New Musicals With Great Music?

Rupert Christiansen: “The glut of hugely successful shows – Mamma Mia!, Let It Be, Thriller, Jersey Boys, The Commitments – which effectively trade on nostalgia is rather depressing. Even more significant is the undeniable truth that the scores of the more recent crop of successful ‘original’ musicals – The Lion King, Billy Elliot, The Book of Mormon, Charlie and the Chocolate Factory, Matilda, Wicked – are their weakest element. Has one of them yielded a single song which has passed into the general consciousness?” (Maybe “Hakuna Matata”?)

The African War Orphan Who’s Not Just A Skilled Ballerina: In Holland, She’s A Genuine Celebrity

Michaela DePrince, adopted from a Sierra Leone orphanage at age 4, is now, at 20, a member of the Dutch National Ballet. Since the publication last year of her memoir and a subsequent TEDx talk in Amsterdam, she has become a box office draw for the company and has been fending off requests for everything from media interviews to modeling gigs to stints as spokeswoman for international charitable organizations.

OK, This Is Just Odd: The Boston Globe Pens An Open Letter To The Thieves Who Stole Art From The Gardner Museum In 1990

“You can bask in a certain solidarity with the rest of humanity, for starters. And then, better still, you can wise up. You can recognize your mistakes. You can shake your head and rub your eyes in disbelief that you were ever so dumb as to break into a museum, or to receive a stolen Vermeer, and you can marvel at the fact that back then you really didn’t know what the hell you were doing.”