High-School Theaters Turn to Product Placement

“In one scene from a Cleveland-area high-school production of Grease, the character Kenickie … carried a pizza box from Guys Pizza, a local place, though the script calls for a bag lunch. Later the restaurant owner’s father briefly appeared as a burger restaurant worker who happens to be wearing a large button with a Guys Pizza logo.” (The fee: $500.)

Holding a Candle to It – 100 of Them, In Fact: Lighting at Shakespeare’s Globe’s New Indoor Theatre

A reporter shares the secrets of the lighting at the Sam Wanamaker Playhouse: what types of candle provide the right light, how to keep them from going out while actors walk, how to prevent drips and pools of wax – and how the company’s management convinced their insurers and the London fire department to go along with the whole thing.

Top Posts From AJBlogs 03.20.14

Tax relief for British theatre
AJBlog: For What it’s Worth | Published 2014-03-21

A Curator For Black Artists?
AJBlog: Real Clear Arts | Published 2014-03-21

Falling in love
AJBlog: Sandow | Published 2014-03-20

“Nur,” About Islamic Art, Sheds Light On Broader Curatorial Goals
AJBlog: Real Clear Arts | Published 2014-03-20

It’s over in Hannover for enterprising music director
AJBlog: Slipped Disc | Published 2014-03-20

 

 

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Are Opera Education Programs A Waste Of Time?

Considerable amounts of money, effort, resources and curriculum time are expended on these projects but to what end? Certainly not the development of new audiences and a future stock of those all-important punters who are freely prepared to part with good money to see a show. Thirty years into the “opera in education” mission and I have never encountered anyone who said to me: “I was turned on to opera by a school education programme.”