Just ask Sarah Bernhardt, or her greatest rival. “Technological advantages like the steam locomotive and gas lighting made it possible for acting companies and star performers to reach larger and more varied audiences than they ever had before. At the same time, actors and the playwrights who wrote for them began to move from productions that prized flamboyant gestures and histrionic speeches toward those that championed a more naturalistic and intimate performance style.” – American Theatre
Tag: 03.21.19
Thomas Heatherwick Projects Are Everywhere These Days. We Deserve Better
“This high-profile intercontinental spread has made Heatherwick all but ubiquitous. It has also earned him a heavy dose of suspicion mixed with contempt, both from critics and the public. His name is often used as something of a synonym for everything that’s wrong with contemporary urban design.” – CityLab
Might Our Morality Change With Artificial Intelligence? (Is That Even The Right Question?)
Because AI might ‘think’ differently to how humans think, and because of the general tendency to get swept up in its allure, its use could well change how we approach tasks and make decisions. The seductive allure that tends to surround AI in fact represents one of its dangers. Those working in the field despair that almost every article about AI hypes its powers, and even those about banal uses of AI are illustrated with killer robots. – Aeon
Michael Tilson Thomas On His Relationship With Music
“We are living in a time when production has mostly superseded content in every area you can think of. It’s very archaic to be holding on to what is the actual content and how to keep it meaningful.” – Washington Post
The Essential Brilliance Of Studio Musicians
In the 1950s and ’60s, especially, session musicians could make or break a hit. And session musicians were in high demand, as producers like Phil Spector became obsessed with production techniques such as the Wall of Sound, forcing as many musicians as possible into a studio and having each of them contribute a small part to a larger, bombastic sound. As a result, session musicians became highly valued: Each had to play their role well, but they also had to find a way to click with every other session musician in the room. – Pacific Standard
Theatre Without Actors? It Can, And Does, Happen
Peter Brook posited that any empty space in which one actor walks as someone else watched could be a theatre. The next year, Samuel Beckett wrote a play with no actors. And onward the idea has gone, from Punchdrunk shows, to Enda Walsh’s Rooms and the Royal Court’s Dismantle This Room, in which 15 audience members do precisely that. – The Guardian
Apple’s TV Plans: Not So Much Netflix Competitor As Seller Of Shows
Apple’s main focus — at least for now — will be helping other people sell streaming video subscriptions and taking a cut of the transaction. Apple may also sell its own shows, at least as part of a bundle of other services. But for now, Apple’s original shows and movies should be considered very expensive giveaways, not the core product. – Recode
‘The Joe Rogan Experience ‘, The Bizarro ‘Fresh Air’ Of The Intellectual Dark Web
Justin Peters: “Listening to the show is sort of like crashing an intense, intimate dinner party in which the only courses are whiskey and weed. … The Joe Rogan Experience has become one of the internet’s foremost vectors for anti-wokeness. With its mellow, welcoming vibe, its pretense of common sense, and its general reluctance to push back on any of its guests’ ideas save for only the battiest, the podcast has become the factory where red pills get sugarcoated. So how did Rogan — the Fear Factor guy! — become the Larry King of the Intellectual Dark Web? Don’t ask him.” – Slate
Google Doodle For Bach’s Birthday Uses AI To (Try To) Compose Bach-Like Chorales
The little Bach-bot “promises to take any two-bar melody you type in and turn it into a Bach, or Bachlike, chorale in four parts, played by charming little music-box figures of bewigged 18th-century musicians.” Yet, writes Anne Midgette, “it may only add to the doodle’s charm that what it actually proves is the opposite of what it sets out to do.” – The Washington Post
The Hague To Get Another International Court, This One For Art Disputes
“The first tribunal devoted exclusively to art disputes, the Court of Arbitration for Art (CAfA), will open for business 1 April in the Hague. … Instead of judges unfamiliar with evaluating scientific evidence of authenticity or selling an artwork on a handshake and an invoice, CAfA’s arbitrators will be experienced art lawyers who understand expert evidence and market practice. … CAfA will hear disputes ranging from authenticity and fraud to contract and copyright, and proceedings can occur anywhere.” – The Art Newspaper