Actor Playing Lead In ‘The Color Purple’ Fired For Old Anti-Gay Facebook Post

Oluwaseyi Omooba, who had been cast as Celie, a queer character, in the revival by the Curve Theatre in Leicester and the Birmingham Hippodrome in England, wrote on the social media site five years ago, “I do not believe you can be born gay and I do not believe homosexuality is right, though the law of this land has made it legal doesn’t mean it’s right.” – The Guardian

Conductor Thomas Wilkins Works To Get Composers Of Color Into Boston Symphony’s Repertoire (And Into The Canon)

Wilkins, the BSO’s conductor for young people’s and family concerts, makes his subscription-season debut this weekend with a program of music by Florence Price, Adolphus Hailstork, Roberto Sierra, and Duke Ellington. Wilkins is aware of the charge of tokenism: “The easy observation would be to say that this is just a night of box-checking so that we can move on. In reality, it is not. It is, in fact, a launch. … And you know what? You gotta start somewhere.” – The Boston Globe

Tate Galleries Will Accept No More Donations From Sacklers

Just a couple of days after the National Portrait Gallery in London announced that it was turning down £1 million from the family whose company makes OxyContin, the Tate announced that, while it would not remove the Sackler name from any existing gifts, “in the present circumstances we do not think it right to seek or accept further donations from the Sacklers.” – The Art Newspaper

Get Out The Pitchforks! What’s The Difference Between Criticism And Intimidating Work Out Of The Market?

“When it comes to Young Adult literature, what, precisely, is the difference between the marketplace of ideas and a Twitter mob? A group of unpaid readers—one with an undeniable personal investment in the Y.A. community—seems to be doing much of the work of critique that is usually first the task of agents and editors, and then that of booksellers and critics. But, when these particular readers do that work, they are derided as pitchfork-wielding hysterics.” – The New Yorker

How This Dancer With Cerebral Palsy Stays Performance-Ready

As a dancer with hemiplegia cerebral palsy, Jerron Herman has never been far from the physical therapy room — or an occupational therapist or some kind of medical interventionist. ‘I’m almost always in deep conversation with that kind of practitioner,’ says Herman, who performs with Heidi Latsky Dance. It’s part of keeping his body ready to dance — and to move throughout his daily life. Herman shared his routine with [Rachel Rizzuto].” – Dance Magazine

‘King Lear’ with Glenda Jackson and everything else that’s happening now

Great Shakespeare plays take the color of their surroundings – if the production is doing its job – and Broadway’ new King Lear is accomplishing that. But how could any alert, modern Lear production avoid the current parallels with lines such as “‘Tis the time’s plague when madmen lead the blind” and “Get thee glass eyes and, like a scurvy politician, seem to see the things thou dost not.” – David Patrick Stearns