This Actress Uses A Wheelchair And Is Playing Laura In ‘Glass Menagerie’ – Exploitation Or Progress?

Broadway audiences are used to perfectly abled bodies, as are reviewers, which might be why some reviewers are having a hard time with Madison Ferris’ Laura. But, despite a few Off-Broadway and other companies having better representation, on Broadway, actors with visible disabilities “remain a rare occurrence, and as a result Broadway remains unrepresentative of the full range of humanity.”

Elfriede Jelinek Is A Nobel Laureate – And Her Latest Play Takes On The Notoriously Thin-Skinned Current President Of The United States

The Austrian playwright and novelist wrote a new play (“an attack on the Trump aesthetic: the gold, the plush furniture”) for the times. It’s coming to NY, and here’s the description, from the play’s translator: “This seer with bleeding eyes sends Trump through a shattered looking glass where Jelinek examines him through the distorted mirrors of the heroes of Western culture: from Oedipus to Abraham, Isaac and Jesus, to Martin Heidegger, who attempted to lead the Führer.”

The Eerie Perfection Of ‘Annie’

A theory about why the 1982 movie, which is considered “bad” by most film critics, fascinates and educates young children, even though the themes are hardly childlike: “The possibility of being a single being, alone in the world, was deeply fascinating to me. Annie, the protagonist of the film, makes hard decisions several times in the movie. She’s the moral center of a film that is deeply, complicatedly female driven.”

Will Hollywood’s Writers Strike Again?

The Writers’ Guild of America has asked its members to authorize a strike, but that doesn’t mean one will happen. “The move came after what the committee described as an “unacceptable” series of ‘noes’ from AMPTP studio negotiators over the last two weeks of talks about a new three-year deal.”

Do The Blues Still Stand For Authenticity? A British Novelist Wants To Know

Hari Kunzru takes a road trip through the Deep South to figure it out. “It is extraordinary music, if you can really hear it. I’ve been making playlists of songs originally recorded on 78rpm shellac discs in the years before the second world war, songs that sounded like the work of ghosts. The voices of the old singers were distant in time, muffled by crackle and hiss, and yet somehow immediate.”