John Yau: “Being dispossessed must have haunted him his whole life, as did the endless bureaucracy involved with getting the documents you need to travel from one country to another, to settle into a new place. … What saved Steinberg and gave him a place in the world is drawing. All he needed was a pencil and paper. It enabled him to be mobile, to set up wherever he had a flat surface.” – Hyperallergic
Tag: 03.24.19
Why Robots Won’t Replace Us (No Matter How Smart They Are)
If the goal is for them to understand us people in order to perform tasks for us they must be programmed to have their own emotional life and the insight that the ability to abstract is a human commodity. For the robot, language seems to be a fixed material, whereas for the dialectical human it describes and it makes the material comprehendible. – LitHub
Victor Hochhauser, 95, Impresario Who Brought Great Performers From Behind The Iron Curtain To London
He was the first in Britain to stage operas for mass audiences in arenas, and his Sunday concerts at the Royal Albert Hall (though they irked critics) drew many newcomers to classical music. But he and his wife, Lilian, were best known for presenting the best musicians and artists from the Soviet Union — Oistrakh, Rostropovich, Richter, the Bolshoi and Kirov Ballets, and many more. – The Guardian
UK’s Sackler Trust Suspends Further Giving
The growing unease amongst British museums to accept money from Sackler family members implicated in the sale of the opioid painkiller OxyContin comes in the wake of several US lawsuits filed in recent months against Purdue Pharma, the family’s US drugs company. – The Art Newspaper
The Most-Visited Museum Exhibitions Of 2018
And New York’s Metropolitan Museum leads the way. The largest exhibition ever mounted by the museum, Heavenly Bodies was seen by around 1.43 million people at the Met’s main Fifth Avenue location and a further 230,000 trekked uptown to Washington Heights to see its continuation at the comparatively sleepy Met Cloisters. – The Art Newspaper
The Strategies That Helped Lupita Nyong’o Make Her Voice Super Creepy For ‘Us’
Nyong’o heard a speaker (Robert F. Kennedy Jr.) with a neurological order that makes the larynx spasm involuntarily – and then, of course, she worked with a vocal coach to inject the emotions that inspire the character. Her director, Jordan Peele, didn’t know what she was doing until preproduction. “‘She sat me down and said ‘Are you ready?’’ the director recalled. He wasn’t.” – The New York Times
A Scandal Engulfing The Shiny World Of Korean Pop Music May Transform The Country
Yes, it’s about sex tapes. But in a music world of K-Pop dominance, it’s time for a reckoning: “The Burning Sun scandal, as it’s been called, comes in the midst of a national conversation about misogyny and power — as well as spy-camera porn epidemic — and the momentum behind it has the potential to dramatically transform Korean society, or at least put several powerful men in serious legal trouble.” – Vulture
Austerity Almost Killed This Spanish Cultural Institution, But It Just Got Saved
The Spanish Royal Academy (RAE), the institution in charge of defending and defining the Spanish language, had been reeling under cuts for more than a decade. Then it got a new director – and he never stopped saying the RAE was of concern to the country. That worked, to the tune of 5 million Euros. Now, “the RAE will be in charge of at least 20 projects of exceptional interest, including the elaboration of different dictionaries, grammar or, now, its work of ensuring the correct use of language in the digital era.” – El País
Dutch Researchers Confirm Disputed Painting As A Van Gogh
Add one back: A painting at the Wadsworth Atheneum, questioned by an art historian in 1990 and then shelved, has been re-confirmed as a Van Gogh. – The New York Times (AP)
Larry Cohen, Creator Of A String Of Low-Budget Horror And Blaxploitation Films, Has Died At 77
Cohen, writer and director of It’s Alive and Hell Up in Harlem, created cult classics. “By stocking his movies with sly social commentary and tongue-in-cheek humor, Cohen’s work felt edgier and more impactful than similar low-budget fare.” – The Hollywood Reporter