Cambodian Dance Culture Tries To Rebuild

The murderous Pol Pot actively tried to erase Cambodian culture. “One cultural sphere that suffered particularly badly was Cambodia’s 1,000-year-old dance tradition. Before the rise of the Khmer Rouge, there were about 30 troupes performing Lakhaon Kaol, the intricate, masked, all-male sacred form that boasts 4,000 gestures in its movement vocabulary. It was a tradition that existed exclusively in the minds and muscles of the masters who practised it – and thus was almost entirely obliterated during the Pol Pot genocide.”

Music Festivals Swamp The Calendar

Tickets for UK music festivals have been selling out in minutes after going on sale. “Festival-going has been growing sharply in recent years, but this year, say music industry insiders, the demand for tickets and new events is unprecedented. It is estimated that as many as 450 festivals, large and small, will be taking place around the country this summer.”

The UK’s Bookselling Mess

“Borders and Waterstone’s are in a bind. As critics argue, they ought to be able to present themselves as specialists, offering ranges that their supermarket rivals cannot match. But they are too large to afford to be seen to ignore the bestsellers. So they have to promote Peter Kay and Jamie Oliver and Martina Cole as well, even though they struggle to compete with the prices offered by Tesco and Amazon. The market, determined by discounts, compels them to lose money.”

Sydney Habour’s Bridge Birthday

“A week ago the Sydney Harbour bridge turned 75 years old, and Sydney threw it a party – as well it might, for the bridge has made the city recognisable all over the world. Spanning the harbour from Dawes Point to Milsons Point, it is a scrumptious thing, a triumph of civil engineering, an entirely functional monument.”

Transition At NY City Opera

“The regime of Paul Kellogg, controversial general-director since 1996, lumbers to a somnolent close in June. His successor, who officially takes over in 2009, is none less than Gérard Mortier, the controversial iconoclast who has inspired blood, sweat and tears – also bravos – in Salzburg and Paris. Conservative New Yorkers may regard the Belgian impresario as a dangerous enfant terrible. Others may hail him as a deus ex machina.”