Is “Hyper-Liberalism” A Danger To Our Academies?

Practices of toleration that used to be seen as essential to freedom are being deconstructed and dismissed as structures of repression, and any ideas or beliefs that stand in the way of this process banned from public discourse. Judged by old-fashioned standards, this is the opposite of what liberals have stood for. But what has happened in higher education is not that liberalism has been supplanted by some other ruling philos­ophy. Instead, a hyper-liberal ideology has developed that aims to purge society of any trace of other views of the world.

Cultural Appropriation Is Like Pornography (‘I Know It When I See It’)

Alyssa Rosenberg, considering Isle of Dogs: “At this point, there’s a fairly clear consensus that white people shouldn’t be cast as characters who are meant to be of other races, and that defining nonwhite characters by obvious stereotypes and obvious stereotypes alone is both objectionable and proof of artistic laziness. There is less agreement about what makes a person sufficiently knowledgeable about and sensitive to the concerns of a community that’s not their own to put it into art, or about the line between appreciation and fetishization of another culture. (Not to mention the fact that members of a particular community may have wildly diverging opinions about these issues, raising thorny questions about who has standing to make these judgments.)

Is The Next Nobel Prize Winner For Literature Tending Bar Deep In The Australian Outback?

“A strong case could be made for [Gerald] Murnane, who recently turned 79, as the greatest living English-language writer most people have never heard of. … Yet his work has been praised by J.M. Coetzee and Shirley Hazzard, as well as young American writers like Ben Lerner and Joshua Cohen. Teju Cole has described Murnane as ‘a genius’ and a ‘worthy heir to Beckett.’ Last year, Ladbrokes placed his odds at winning the Nobel Prize for Literature at 50 to 1 – better than Cormac McCarthy, Salman Rushdie and Elena Ferrante.” Mark Binelli goes to visit the author in his tiny village five hours from Melbourne, where Murnane promised him “an interview unlike any you’ve done before.” (He was as good as his word.)

Why Is Programming At “America’s Best Orchestra” So Backward-Looking?

Much of what the orchestra does is, in fact, innovative. The orchestra is well on its way to having one of the youngest audiences in the U.S., if not the world. The orchestra’s adventurous opera productions consistently surpass those of full-time opera companies in terms of production and sheer music-making. Student subscriptions, generously subsidized by philanthropy, are more affordable than those for many other orchestras. And the orchestra maintains residencies at some of the world’s most revered halls, including the Musikverein in Vienna and Lincoln Center in New York. Yet the orchestra’s commitment to innovation stops, frustratingly and inexplicably, with its choice of repertoire.

The Antiquarian Book Dealer Who Became ‘France’s Bernie Madoff’

Gérard Lhéritier, the son and grandson of plumbers, built himself into the biggest, and flashiest, seller of old manuscripts and books in France, a businessman whose (heavily publicized) prize piece of inventory was the Marquis de Sade’s original manuscript of 120 Days of Sodom. (Naturally, Esquire uses that fact as the hook for this article.) Now Lhéritier, his assets seized, stands accused orchestrating France’s largest-ever Ponzi scheme, using a Wall Street-style device to bilk thousands of shareholders of more than $1 billion.

Get Your Big Ears On

Contained within a walkable radius of historic downtown Knoxville — in a range of ornate landmark theaters, refurbished industrial spaces, art galleries, churches, and clubs — it creates its own atmospheric climate, along with a center of gravity. From its first iteration in 2009, the festival has been a locus of expedition, defined more by a go-anywhere ethos than by any style or genre allegiance.

An Extraordinary Personal Reflection On Climate Change By Composer John Luther Adams (Read This!)

“As a composer, I believe that the best gift I can offer our troubled world is music. Some composers choose to address the political issues of their times directly in their music. But, although I’ve been politically active all my life, the heart of my music lies elsewhere—again, in the Earth. In order to renew human culture, we sometimes need to step outside of culture, to remember that we are only a small part of the larger order of things. Although my work is in culture, I search for my music at the intersection of human imagination and what we call “nature,” which is the ultimate source of everything that we are as individuals, as societies, and as a species.”