Doctor Who Embodies Post-Imperial Britain

“In many ways, the show carried on the themes of Victorian youth literature: the Doctor is a fearless traveler; he encounters strange cultures and lands; he is stoic, sophisticated, and not without a few eccentricities. … By aligning the show with trends in Western international relations, the audience is able to enjoy the continuation of imperial literature without any of the unsavory political undertones. It’s as if Cecil Rhodes joined the Peace Corps and donated his salary to UNESCO.”

Thomas McEvilley, 73, Critic And Scholar Who Shattered The Notion Of ‘Primitivism’

McEvilley’s review of a 1984 MoMA show, and the responses in Artforum, “were the opening salvos in an argument about multiculturalism that would define American art for the rest of the 1980s and ’90s. When the dust had settled, it was clear who the winner was, and it was also clear that a new era in thinking about art had begun.”