Andrew Motion, the poet laureate, recently attacked the way English is taught in schools. He attacked the “educational rat wheel” that taught young people to read set texts and pass exams, but did not teach them to love literature, and gave a list of classics his students did not know. But maybe instead of leaning great literature by rote, today’s students are better, not less, equipped to read. Perhaps “it is unrealistic to expect A-level students to have read great swaths of English literature.” Maybe “schools can only give them their bearings and an ability to read the compass if they want to make the journey later. It’s making it accessible and saying ‘you have got the skills to go away and read anything – and you will cope with it, you will make sense of it, you will enjoy it’.”
Tag: 04.01.03
Can Tragedy Live In Today’s World?
There was a time when tragedy meant something. Now it describes missteps of the most trivial nature. On the other hand – have critics elevated notions of classic tragedy too high? “It is the critics who have disdained modern life’s suitability for the tragic mode, and have made an aesthetic virtue out of suffering in the past, persuading themselves that what was horrible then can be metaphysically pleasing now and that present-day suffering is undignified and uninteresting. Past pain is thus sanitised while that of the present is dismissed as beneath attention – a useful strategy for those who have lived through the bloodiest century in human history and would prefer not to look at it too closely.”
Houston Symphony Musicians End Strike
Musicians of the Houston Symphony have ratified a new contract, ending their 23-day strike. “The players made significant financial concessions. They include a reduction in annual minimum salary in the first three seasons covered by the agreement, achieved via unpaid furloughs of from one to three weeks per year. The agreement expires Sept. 30, 2006. However, the two sides agreed that salaries will return to the median of all full-time United States orchestras in the following contract.”
Savannah Racing The Clock
The hardest part about guiding an orchestra through a fiscal crisis is that the clock does not stop while you do it. In Savannah, where the Savannah Symphony has canceled the remainder of its season, and is trying to regroup in time for the next one, the challenges are myriad, and the leadership is still at a bit of a loss as to how much can be done without some sort of large cash infusion. According to the orchestra’s chairman, it will soon be too late to book soloists and sell tickets for a 2003-04 season. Furthermore, if the ensemble does survive, it will need an entirely new set of leaders, and those type of management saviors don’t exactly grow on trees.
From Apolitical To Artistic Activism
“For the past decade, the New York art world seemed to have retreated into an exceptionally apolitical version of postmodernism, convinced by a combination of theory and action movies that a digitally enhanced future would favor spectacle over reality. Now, with the advent of an all-too-real war presented as mere spectacle by television, artists are suddenly faced with the very surrealistic task of making reality real. So it’s not surprising to see—both in works on view at galleries and in the strategies of the burgeoning anti-war activists — a reprisal of the imagery and the sincerity of earlier periods of art history.”
Margaret Atwood: What’s With America?
Margaret Atwood is a a great admirer of America. Or at least she used to be. “You were Marlon Brando in On The Waterfront, you were Humphrey Bogart in Key Largo, you were Lillian Gish in Night of the Hunter. You stood up for freedom, honesty and justice; you protected the innocent. I believed most of that. I think you did, too. It seemed true at the time. You are not only our neighbours: In many cases – mine, for instance – you are also our blood relations, our colleagues, and our personal friends. But although we’ve had a ringside seat, we’ve never understood you completely, up here north of the 49th parallel.”
Instant Messaging Is Eroding Kids’ Writing Skills
Parent and many educators are becoming “increasingly alarmed by the effect of Internet communication on the writing skills of U.S. teens, who spend an average of 12 hours a week online, according to an America Online survey. Much of that time is spent exchanging ‘instant messages’ with software offered by AOL, Yahoo and MSN. This informal instant communication lends itself to linguistic shortcuts, shoddy grammar and inappropriate or absent punctuation.”
Study: As Book Review Space Declines So Do Book Sales
The book business is hurting in Canada. Could it partly be because book review space in newspapers is shrinking? A survey of eight major Canadian papers (including four owned by the CanWest chain) found that “in the CanWest papers, 14 per cent fewer books were reviewed last year than five years earlier. The decline at CanWest most keenly affected Canadian authors, who received half the reviews in 1997 but only 42 per cent of a smaller total last year. Books from small presses were 18 per cent of 1997 reviews at the CanWest papers, versus 11 per cent in 2002. Reviews in the other four papers rose by 17 per cent over the same period. The Star published 100 reviews over three months last year (a 1 per cent increase), the Globe & Mail published 155 (up by 2 per cent), while the Halifax Chronicle Herald tripled its reviews from 19 to 57.”
Beck’s Takes Turn For The Radical
This year’s Beck’s Futures show opening Friday at London’s ICA has taken a turn for the radical, writes Andrew Renton. “Just when the four-year-old award appeared to have been bedding in as the alternative Turner, it has reinvented itself with a streamlined short list of artists who are hardly visible outside the art world and hard to define within it…”
Art Of Protest
“In recent months, Bay Area peace activists have infused their dissent with creativity, bringing music, elaborate costumes, sculpture, guerrilla theater and performance art to numerous rallies, marches and vigils. The predominance of art has allowed activists to cross language and cultural barriers and has added spunk, humor and powerful visual images to events that used to be filled with long speeches and chanting. At times, the artwork has diffused tense confrontations with police.”